Sofonisba's lesson : a Renaissance artist and her work / Michael W. Cole.
Publisher: Princeton : Princeton University Press, [2019]Copyright date: ©2019Description: 307 pages : color illustrations ; 25 cmContent type:- text
- unmediated
- volume
- 0691198322
- 9780691198323
- ND623 .A5395 C65 2019
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | ND623 .A5395 C65 2019 (Browse shelf(Opens below)) | 1 | Available | 33039001534808 |
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ND588 .R48 G47 2009 Gerhard Richter / | ND616 .B57 2005 Masters of Italian baroque painting / | ND621 .V5 T58 2009 Titian, Tintoretto, Veronese : rivals in Renaissance Venice / | ND623 .A5395 C65 2019 Sofonisba's lesson : a Renaissance artist and her work / | ND623 .B7 V42 Botticelli. | ND623 .B9 C2913 1994 The Sistine Chapel : a glorious restoration / | ND623 .B9 K55 2014 Michelangelo & the Pope's ceiling / |
Includes bibliographical references (pages 274-300) and index.
"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"-- Provided by publisher.
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