The print before photography : an introduction to European printmaking, 1550-1820 / Antony Griffiths.
Publisher: London : The British Museum Press, 2016Copyright date: ©2016Description: 560 pages : illustrations (some color) ; 30 cmContent type:- text
- unmediated
- volume
- 9780714126951
- 0714126950
- NE625 .G76 2016
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | NE625 .G76 2016 (Browse shelf(Opens below)) | 1 | Available | 33039001444164 |
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NE539 .F68 A4 1980 Helen Frankenthaler prints, 1961-1979. | NE539 .H65 A4 1979 Edward Hopper, the complete prints / | NE539 .M67 A4 2003 Robert Motherwell: the complete prints 1940-1991 : catalogue raisonne / | NE625 .G76 2016 The print before photography : an introduction to European printmaking, 1550-1820 / | NE625 .M313 1969 Graphic work from the Bauhaus. | NE642 .B5 A4 1978B The complete graphic works of William Blake / | NE642 .B5 K4 1950 Engravings, |
Includes bibliographical references (pages 501-545) and indexes.
A landmark publication that catalogues the history and development of the printed image Gutenberg's invention of moveable type made it possible to print letters. But images could only be printed using two other technologies that were developed alongside letterpress. One depended on wooden blocks which were cut and printed in relief, the other on copper plates into which lines were cut by engraving or etching and were printed on a rolling press. Copper-plate printmaking developed into a huge business employing thousands of people, and dominated image production for nearly four centuries across the whole of Europe. Its processes remained very stable, and a man of 1500 could have walked into a printing shop of 1800 and understood what was going on. During the nineteenth century this world was displaced by new technologies, of which photography was by far the most important.
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