Duke : a life of Duke Ellington / Terry Teachout.
Publication details: New York : Gotham Books, 2013.Description: 483 pages : illustrations ; 24 cmContent type:- text
- unmediated
- volume
- 9781592407491
- 781.65092 B 23
- ML410.E44 T38 2013
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | ML410 .E44 T38 2013 (Browse shelf(Opens below)) | 1 | Available | 33039001399137 |
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ML410 .D83 F3 1982 Dufay / | ML410 .D99 H84 2005 Dvořák : romantic music's most versatile genius / | ML410 .E44 C56 2010 Duke Ellington's America / | ML410 .E44 T38 2013 Duke : a life of Duke Ellington / | ML410 .F78 E46 1998 Doo-dah! : Stephen Foster and the rise of American popular culture / | ML410 .G288 P65 2006 George Gershwin : his life and work / | ML410 .G288 R67 1997 Fascinating rhythm : the collaboration of George and Ira Gershwin / |
"I want to tell America" -- "I just couldn't be shackled" : fortunate son, 1899-1917 -- "Soft and gut-bucket" : becoming a professional, 1917-1926 -- "Only my own music" : with Irving Mills, 1926-1927 -- "The utmost significance" : at the Cotton Club, 1927-1929 -- "I better scratch out something" : becoming a genius, 1929-1930 -- "A higher plateau" : becoming a star, 1931-1933 -- "The way the President travels" : on the road, 1933-1936 -- "Swing is stagnant" : diminuendo in blue, 1936-1939 -- "The eyes in the back of my head" : with Billy Strayhorn, 1938-1939 -- "The sea of expectancy" : the Blanton-Webster band, 1939-1940 -- "A message for the world" : jump for joy, 1941-1942 -- "I don't write jazz" : Carnegie Hall, 1942-1946 -- "More a business than an art" : into the wilderness, 1946-1955 -- "I was born in 1956" : crescendo in blue, 1955-1960 -- "Fate's being kind to me" : apotheosis, 1960-1967 -- "That big yawning void" : alone in a crowd, 1967-1974 -- Appendix. Fifty key recordings by Duke Ellington. An account of the public and private lives of the eminent jazz artist covers his slave heritage, the musical talent that inspired some 1,700 compositions, and his relationships with numerous lovers.
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