America after the fall : painting in the 1930s / Edited by Judith A. Barter ; With essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler.
Publisher: Chicago, Illinois : The Art Institute of Chicago, [2016]Edition: First editionDescription: 201 pages ; 31 cmContent type:- text
- unmediated
- volume
- 9780300214857 (hardback)
- 9780865592827 (softcover)
- Painting, American -- 20th century -- Exhibitions
- National characteristics, American, in art -- Exhibitions
- Art and society -- United States -- History -- 20th century -- Exhibitions
- ART / American / General
- ART / History / Modern (late 19th Century to 1945)
- ART / Collections, Catalogs, Exhibitions / Group Shows
- 759.13 23
- ND212 .A4478 2016
- ART015020 | ART015100 | ART006010
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | ND212 .A4478 2016 (Browse shelf(Opens below)) | 1 | Available | 33039001405132 |
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ND210 .L55 2008 Like breath on glass : Whistler, Inness, and the art of painting softly / | ND210 .S93 2001 Painting professionals : women artists & the development of modern American art, 1870-1930 / | ND210.5 .I4 W456 1994 American impressionism and realism : the painting of modern life, 1885-1915 / | ND212 .A4478 2016 America after the fall : painting in the 1930s / | ND212 .H466 2001 World War II in American art / | ND212 .O36 American masters: the voice and the myth. | ND212 .R62 American painting: the 20th century. |
Includes bibliographical references (pages .
"Through 50 masterpieces of American painting, this catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression in search of "Americanness." Seeking to define modern American art, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles-ranging from abstraction to Regionalism to Surrealism-that allowed them to engage with issues such as populism, labor, social protest, and urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty"-- Provided by publisher.
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