The long march of pop : art, music, and design, 1930-1995 / Thomas Crow.
Publisher: New Haven : Yale University Press, [2014]Description: ix, 412 pages : illustrations (some color) ; 28 cmContent type:- text
- unmediated
- volume
- 9780300203974 (hardback)
- 700.9/04 23
- N6494.P6 C76 2014
- ART015100 | ART015110 | HIS054000
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | N6494 .P6 C76 2014 (Browse shelf(Opens below)) | 1 | Available | 33039001360014 |
Browsing NMC Library shelves, Shelving location: Stacks Close shelf browser (Hides shelf browser)
N6494 .M64 A34 1997 The age of modernism : art in the 20th century / | N6494 .M64 M36 1997 The struggle for utopia : Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946 / | N6494 .O6 H68 2007 Optic nerve : perceptual art of the 1960s / | N6494 .P6 C76 2014 The long march of pop : art, music, and design, 1930-1995 / | N6494 .P6 H6613 2015 Pop art / | N6494 .P6 S44 2010 Seductive subversion : women pop artists, 1958-1968 / | N6494 .P66 H43 2001 Postmodernism / |
Includes bibliographical references and index.
"Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book. "-- Provided by publisher.
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