Bright! : [typography between illustration and art] / [edited by Slanted ; translations, Karin Dufner, Michael Hulse]

Contributor(s):

text

Media type:

unmediated

Carrier type:

volume

ISBN:

9783942597234
3942597233

Other title:

Typography between illustration and art

Subject(s):

DDC classification:

745.4

LOC classification:

Z246 .B754 2012

Summary: Typography for many artists is loaded with creative potential. How much power of expression is contained in a letter, a word, or a sentence, when these entities, which are very communicative in character to begin with, are put on stage as images and objects? How does typographical information respond to its environment, to graphic complements, abstraction, or visual reversal? Under the curatorship of Slanted, this title presents a collection of pictorial typo-art, focusing on moving ahead. The differentiated spectrum, ranging from culturally rooted to revolutionary and innovative positions, does not leave out any sphere of interest: handpainted signs, tape-art, woodtype, letter objects, typographic sculptures, graffiti, tattoo art, generative performances, experimental type, and much more.

Holdings
Item type	Current library	Shelving location	Call number	Copy number	Status	Date due	Barcode
Book	NMC Library	Stacks	Z246 .B754 2012 (Browse shelf(Opens below))	1	Available		33039001271724

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Previous								Next
Previous	Z232 .U6 U67 2017 Picturing the big shop : photos of the U.S. Government Publishing Office, 1900-1980.	Z246 .A555 2011 The fundamentals of typography /	Z246 .B68 2012 Mastering type : the essential guide to typography for print and web design /	Z246 .B754 2012 Bright! : [typography between illustration and art] /	Z246 .F39 2007 New typographic design /	Z246 .H54 2020 Inside paragraphs : typographic fundamentals /	Z246 .H82 The grid : a modular system for the design and production of newspapers, magazines, and books /	Next

English and German.

Typography for many artists is loaded with creative potential. How much power of expression is contained in a letter, a word, or a sentence, when these entities, which are very communicative in character to begin with, are put on stage as images and objects? How does typographical information respond to its environment, to graphic complements, abstraction, or visual reversal? Under the curatorship of Slanted, this title presents a collection of pictorial typo-art, focusing on moving ahead. The differentiated spectrum, ranging from culturally rooted to revolutionary and innovative positions, does not leave out any sphere of interest: handpainted signs, tape-art, woodtype, letter objects, typographic sculptures, graffiti, tattoo art, generative performances, experimental type, and much more.

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