Monet / James H. Rubin.
Series: World of artPublisher: London : Thames & Hudson, 2020Copyright date: ©2020Description: 223 pages : color illustrations ; 21 cmContent type:- text
- still image
- unmediated
- volume
- 9780500204474
- 0500204470
- ND553 .M7 R835 2020
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | ND553 .M7 R835 2020 (Browse shelf(Opens below)) | 1 | Available | 33039001496347 |
Browsing NMC Library shelves, Shelving location: Stacks Close shelf browser (Hides shelf browser)
ND553 .M7 A4 1998 Monet in the 20th century / | ND553 .M7 A4 2014 Monet : or, The triumph of impressionism / | ND553 .M7 F44 2007 The magic of Monet's garden : his planting plans and color harmonies / | ND553 .M7 R835 2020 Monet / | ND553 .M7 S238 1998 Claude Monet, 1840-1926 : a feast for the eyes / | ND553 .M88 A83 1987 Berthe Morisot / | ND553 .M88 S54 1996 Berthe Morisot, the first lady of Impressionism / |
Includes bibliographical references (pages 211-213) and index.
Claude Monet (1840-1926) is one of the most admired and famous painters of all time, and the architect of Impressionism: a revolution that gave birth to modern art. His technique - painting out of doors, at the seashore or in the city streets - was as radically new as his subject matter, the landscapes and middle-class pastimes of a newly industrialized Paris. Painting with an unprecedented immediacy and authenticity, Monet claimed that his work was something new: both natural and true. 0In this new introductory study, James H. Rubin - one of the world's foremost specialists in 19th-century French art - traces the development of Monet's practice, from his early work as a caricaturist to the late paintings of waterlilies and his garden at Giverny. Rubin explores the cultural currents that helped to shape Monet's work: the utopian thought that gave rise to his politics; his interest in Japanese prints, gardening, and trends in the decorative arts; and his relationship with earlier French landscape painters as well as such contemporaries as Manet and Renoir.
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