The power of color : five centuries of European painting / Marcia B. Hall.
Publisher: New Haven : Yale University Press, [2019]Copyright date: ©2019Description: 293 pages : color illustrations ; 29 cmContent type:- text
- still image
- unmediated
- volume
- 9780300237191
- 0300237197
- ND1488 .H35 2019
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | ND1488 .H35 2019 (Browse shelf(Opens below)) | 1 | Available | 33039001486520 |
Browsing NMC Library shelves, Shelving location: Stacks Close shelf browser (Hides shelf browser)
ND1482 .A16 P47 2005 Abstract painting : concepts and techniques / | ND1484 .C37 2003 Seeing the light : an artist's guide / | ND1488 .D63 1986 Making color sing / | ND1488 .H35 2019 The power of color : five centuries of European painting / | ND1489 .A4 2006 Interaction of color / | ND1493 .I8 I813 1970 The elements of color; a treatise on the color system of Johannes Itten, based on his book The art of color. | ND1500 .A64 2008 Classical painting atelier : a contemporary guide to traditional studio practice / |
Includes bibliographical references (pages 277-285) and index.
Introduction: making, materials, marketing, meaning -- The fifteenth century : from egg to oil, from gothic to humanist values -- The sixteenth century : new techniques for new levels of expression -- The seventeeth century : the economics of art -- The eighteenth century : the politics of art -- The nineteenth century : industrialization and globalization of art -- Color as the expression of the immaterial.
This expansive study of color illuminates the substance, context, and meaning of five centuries of European painting. Between the mid-15th and the mid-19th centuries, the materials of painting remained remarkably unchanged, but innovations in their use flourished. Technical discoveries facilitated new visual effects, political conditions prompted innovations, and economic changes shaped artists' strategies, especially as trade became global. Marcia Hall explores how Michelangelo radically broke with his contemporaries' harmonizing use of color in favor of a highly saturated approach; how the robust art market and demand for affordable pictures in 17th-century Netherlands helped popularize subtly colored landscape paintings; how politics and color became entangled during the French Revolution; and how modern artists liberated color from representation as their own role transformed from manipulators of pigments to visionaries celebrated for their individual expression. Using insights from recent conservation studies, Hall captivates readers with fascinating details and developments in magnificent examples-from Botticelli and Titian to Van Gogh and Kandinsky-to weave an engaging analysis. Her insistence on the importance of examining technique and material to understand artistic meaning gives readers the tools to look at these paintings with fresh eyes.
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