I hear a symphony : Motown and crossover R&B / Andrew Flory.

By:

Flory, Andrew

Series: Tracking popPublisher: Ann Arbor : University of Michigan Press, [2017]Description: ix, 334 pages : illustrations, music ; 23 cmContent type:

text

Media type:

unmediated

Carrier type:

volume

ISBN:

9780472036868
9780472117413

Subject(s):

DDC classification:

781.64409774/34 23

LOC classification:

ML3792.M67 F56 2017

Summary: I Hear a Symphony" opens new territory in the study of Motown's legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit's postwar black middle class; that Motown's creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous "Motown Sound." Throughout the book, Flory focuses on the central importance of "crossover" to the Motown story; first as a key concept in the company's efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory's work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.

Holdings
Item type	Current library	Shelving location	Call number	Copy number	Status	Date due	Barcode
Book	NMC Library	Stacks	ML3792 .M67 F56 2017 (Browse shelf(Opens below))	1	Available		33039001430767

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Previous	ML3790 .S88 2009 Selling sounds : the commercial revolution in American music /	ML3790 .W52 2013 The music industry : music in the cloud /	ML3790 .W59 2015 How music got free : the end of an industry, the turn of the century, and the patient zero of piracy /	ML3792 .M67 F56 2017 I hear a symphony : Motown and crossover R&B /	ML3793 .C67 2008 Guerrilla home recording : how to get great sound from any studio (no matter how weird or cheap your gear is) /	ML3793 .T49 2005 Understanding audio : getting the most out of your project or professional recording studio /	ML3793.32 .L64 C68 2010 Logic Pro 9 : audio and music production /	Next

Includes bibliographical references (pages 273-322) and index.

I Hear a Symphony" opens new territory in the study of Motown's legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit's postwar black middle class; that Motown's creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous "Motown Sound." Throughout the book, Flory focuses on the central importance of "crossover" to the Motown story; first as a key concept in the company's efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory's work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.

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