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Catching the big fish : meditation, consciousness, and creativity / David Lynch.

By: Publication details: New York : Jeremy P. Tarcher/Penguin, c2006.Description: 117, [2] p. ; 19 cmISBN:
  • 9781585425402
  • 1585425400
  • 9781585426126
Subject(s): DDC classification:
  • 158.1/25 22
LOC classification:
  • BF637.T68 L96 2006
Contents:
The first dive -- Suffocating rubber clown suit -- Starting out -- The art life -- A garden at night -- Curtains up -- Cinema -- Interpretation -- The circle -- Ideas -- Desire -- Consciousness -- Translating the idea -- Los Angeles -- Eraserhead -- The pace of life -- Yogis -- Bob's big boy -- The angriest dog in the world -- Music -- Intuition -- The unified field -- The fourth state -- Getting there -- Modern science and ancient science -- Anywhere, anytime -- Identity -- Final cut -- Therapy -- Dreams -- Angelo Badalamenti -- Sound -- Casting -- Rehearsal -- Fear -- All together now -- Twin Peaks -- The continuing story -- The red room -- Ask the idea -- Test audience -- Generalizations -- Darkness -- Suffering -- Light of the self -- A tower of gold -- Religion -- Drugs -- Turn on the light -- Industrial symphony no. 1 -- Lost highway -- Restrictions -- Mulholland Drive -- The box and the key -- A sense of place -- Beauty -- Texture -- Working with wood -- Having a setup -- Fire -- Light on film -- The straight story -- Heroes of film -- Fellini -- Kubrick -- Inland empire -- The name -- A new way to work -- Director's commentary -- The death of film -- DV for young filmmakers -- DV quality -- Future of cinema -- Common sense -- Advice -- Sleep -- Keep at it -- Success and failure -- Gone fishing, again -- Compassion -- Consciousness-based education -- Real peace -- In closing.
Summary: Filmmaker David Lynch provides a window into his methods as an artist, his personal methods of capturing and working with ideas, and the immense creative benefits he has experienced from the practice of meditation.--From publisher description.

Filmography: p. [179].

Filmmaker David Lynch provides a window into his methods as an artist, his personal methods of capturing and working with ideas, and the immense creative benefits he has experienced from the practice of meditation.--From publisher description.

The first dive -- Suffocating rubber clown suit -- Starting out -- The art life -- A garden at night -- Curtains up -- Cinema -- Interpretation -- The circle -- Ideas -- Desire -- Consciousness -- Translating the idea -- Los Angeles -- Eraserhead -- The pace of life -- Yogis -- Bob's big boy -- The angriest dog in the world -- Music -- Intuition -- The unified field -- The fourth state -- Getting there -- Modern science and ancient science -- Anywhere, anytime -- Identity -- Final cut -- Therapy -- Dreams -- Angelo Badalamenti -- Sound -- Casting -- Rehearsal -- Fear -- All together now -- Twin Peaks -- The continuing story -- The red room -- Ask the idea -- Test audience -- Generalizations -- Darkness -- Suffering -- Light of the self -- A tower of gold -- Religion -- Drugs -- Turn on the light -- Industrial symphony no. 1 -- Lost highway -- Restrictions -- Mulholland Drive -- The box and the key -- A sense of place -- Beauty -- Texture -- Working with wood -- Having a setup -- Fire -- Light on film -- The straight story -- Heroes of film -- Fellini -- Kubrick -- Inland empire -- The name -- A new way to work -- Director's commentary -- The death of film -- DV for young filmmakers -- DV quality -- Future of cinema -- Common sense -- Advice -- Sleep -- Keep at it -- Success and failure -- Gone fishing, again -- Compassion -- Consciousness-based education -- Real peace -- In closing.

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