Harlem Renaissance : four novels of the 1930s / Rafia Zafar, editor.
Series: Library of America ; 218.Publication details: New York : Library of America, c2011.Description: 848 p. ; 21 cmISBN:- 9781598531015
- 1598531018
- Four novels of the 1930s
- PS508.N3 H3645 2011
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | NMC Library | Stacks | PS508 .N3 H367 2011 V.2 (Browse shelf(Opens below)) | 1 | Available | 33039001185221 |
Browsing NMC Library shelves, Shelving location: Stacks Close shelf browser (Hides shelf browser)
PS508 .M35 A73 1999 The arduous touch : voices of women in health care / | PS508 .M4 I54 1993 Infinite divisions : an anthology of Chicana literature / | PS508 .N3 H367 2011 V.1 Harlem Renaissance : five novels of the 1920s / | PS508 .N3 H367 2011 V.2 Harlem Renaissance : four novels of the 1930s / | PS508 .N3 N67 1996 The Norton anthology of African American literature / | PS508 .P7 D65 1999 Doing time : twenty-five years of prison writing / | PS508 .P84 G76 1997 Growing up Puerto Rican : an anthology / |
Includes bibliographical references.
Not without laughter / Langston Hughes -- Black no more / George S. Schuyler -- The conjure-man dies / Rudolph Fisher -- Black thunder / Arna Bontemps.
Four Novels of the 1930s captures the diversity of genre and tone nourished by the Renaissance. Langston Hughes's Not Without Laqughter (1931)---the poet's only novel, an elegiac, elegantly realized coming-of-age tale suffused with childhood memories of Missouri and Kansas---follows a young man from his rural origins to the big city. George S. Schuyler's Black No More (1931), a satire founded on the science-fiction premise of a wonder drug permitting blacks to change their race, savagely caricatures public figures white and black alike in its raucous, carnivalesque send-up of American racial attitudes. Considered the first detective story by an African American writer, Rudolph Fisher's The Conjur-Man Dies (1932) is a mystery that comically mixes and reverses stereotypes, placing a Harvard-educated African "conjure-man" at the center of a phantasmagoric charade of deaths and disappearances. Black Thunder (1936), Arna Bontemps's stirring fictional recreation of Gabriel Prosser's 1800 slave revolt, which, though unsuccessful, shook Jefferson's Virginia to its core, marks a turn from aestheticism toward political militance in its exploration of African American history.
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