The age of French impressionism : masterpieces from the Art Institute of Chicago / Gloria Groom and Douglas Druick; with the assistance of Corota Chudzicka and Jill Shaw.
Publication details: Chicago : The Art Institute of Chicago ; Yale University Press : New Haven, Conn., 2010.Description: 200 p. : col. ill. ; 31 cmISBN:- 9780300167801
- ND547.5 .I4 .G76 2010
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
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Book | NMC Library | Stacks | ND547.5 .I4 .G76 2010 (Browse shelf(Opens below)) | 1 | Available | 33039001160554 |
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ND538 .K62 G6 Kokoschka, | ND547 .C3713 The Nabis & their period. | ND547.5 .I4 G69 1993 Great French paintings from the Barnes Foundation : Impressionist, Post-impressionist, and early Modern. | ND547.5 .I4 .G76 2010 The age of French impressionism : masterpieces from the Art Institute of Chicago / | ND547.5 .I4 H684 2004 Impressionism : paint and politics / | ND547.5 .I4 I4472 1991 Impressionism / | ND547.5 .I4 N38 1986 The New painting, Impressionism, 1874-1886 : an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington / |
Includes bibliographical references and index.
Impressionism and post-impressionism in Chicago -- Landscape and figure painting: new approaches. Tradition and innovation ; Manet: races and bullfighting ; Sea and sky -- High impressionism. Cradle of impressionism ; Cities and suburbs ; Renoir's transformative vision ; Still life ; Degas: classical tradition and modern life -- Post-impressionism. Pissarro and Monet: new directions ; Neo-impressionism ; Van Gogh and Gauguin ; Toulouse-Lautrec and Montmartre ; CeÌzanne's classicism ; Gauguin and the south seas -- Late Monet: the series paintings. Giverny ; Outside France ; Water lilies.
This volume highlights more than 100 of the Art Institute of Chicago's masterpieces, from the bold works of EÌdouard Manet, an important figure in the transition from Realism to Impressionism, to Claude Monet's light-filled paintings, and Paul CeÌzanne's influential Post-Impressionist canvases. Each reproduced work is situated in terms of the era in which it was created, and collectively they exemplify the diversity of ideas and wealth of talent at work during the Impressionist period. The publication also features a chronology -- illustrated with color reproductions, archival photographs, and exhibition shots -- that documents the history and formation of the Art Institute of Chicago's collection.
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