MARC details
| 000 -LEADER |
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| fixed length control field |
03399cam a2200325 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
13136010 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
MiTN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190729102913.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
030325s2004 enka b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2003048464 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0521820227 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0521527244 (pbk.) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| Modifying agency |
DLC |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1995 |
| Item number |
.R68 2004 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.43 |
| Edition number |
21 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Rothman, William. |
| 245 14 - TITLE STATEMENT |
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| Title |
The "I" of the camera : |
| Remainder of title |
essays in film criticism, history, and aesthetics / |
| Statement of responsibility, etc. |
William Rothman. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Cambridge, UK ; |
| -- |
New York : |
| Name of publisher, distributor, etc. |
Cambridge University Press, |
| Date of publication, distribution, etc. |
2004. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxxii, 389 p. : |
| Other physical details |
ill. ; |
| Dimensions |
23 cm. |
| 440 #0 - SERIES STATEMENT/ADDED ENTRY--TITLE |
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| Title |
Cambridge studies in film |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
1. Hollywood reconsidered: reflections on the classical American cinema -- 2. D. W. Griffith and the birth of the movies -- 3. Judith of Bethulia -- 4. True heart Griffith -- 5. The ending of City Lights - 6. The Goddess: reflections on melodrama east and west -- 7. Red Dust: the erotic screen image -- 8. Virtue and villainy in the face of the camera -- 9. Pathos and transfiguration in the face of the camera: a reading of Stella Dallas -- 10. Viewing the world in black and white: race and the melodrama of the unknown woman -- 11. Howard Hawks and Bringing Up Baby -- 12. The filmmaker in the film: Octave and the rules of Renoir's game -- 13. Stagecoach and the quest for selfhood -- 14. To have and to have not adapted a film from a novel -- 15. Hollywood and the rise of suburbia -- 16. Nobody's perfect: Billy Wilder and the postwar American cinema -- 17. The River -- 18. Vertigo: the unknown woman in Hitchcock -- 19. North by Northwest: Hitchcock's monument to the Hitchcock film -- 20. The villain in Hitchcock: "Does he look like a 'wrong one' to you?" -- 21. Thoughts on Hitchcock's authorship -- 22. Eternal verites: cinema-verite and classical cinema -- 23. Visconti's Death in Venice -- 24. Alfred Guzzetti's Family Portrait Sittings -- 25. The taste for beauty: Eric Rohmer's writings on film -- 26. Tale of Winter: philosophical thought in the films of Eric Rohmer -- 27. The 'New Latin American Cinema' -- 28. What is American about American film study? |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Publisher description: Originally published in 1988, The 'I' of the Camera has become a classic in the literature of film. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. In a series of eloquent essays examining particular films, filmmakers, genres and movements, and the 'Americanness' of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. This second edition contains all of the essays that made the book a benchmark of film criticism. It also includes fourteen essays, written subsequent to the book's original publication, as well as a new foreword. The new chapters further broaden the scope of the volume, fleshing out its vision of film history and illuminating the author's critical method and the philosophical perspective that informs it. |
| 596 ## - |
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| -- |
1 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures. |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
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| Series part designator, SPT (RLIN) |
u172458 |
| 949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
PN1995 .R68 2004 |
| w |
LC |
| c |
1 |
| h |
EY8Z |
| i |
33039000747773 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
|---|
| a |
9123 |