NMC Library

Michelangelo & the Pope's ceiling / (Record no. 523175)

MARC details
000 -LEADER
fixed length control field 05348cam a2200433Ii 4500
001 - CONTROL NUMBER
control field ocm870517071
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230703154918.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 140213t20142003nyua b 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1620408406
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781620408407 :
Terms of availability $18.00
035 ## - SYSTEM CONTROL NUMBER
System control number (MiKW)5060941-wmichdb
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)870517071
035 ## - SYSTEM CONTROL NUMBER
System control number 5060941
035 ## - SYSTEM CONTROL NUMBER
System control number ocn870517071
040 ## - CATALOGING SOURCE
Original cataloging agency YDXCP
Language of cataloging eng
Transcribing agency YDXCP
Modifying agency BDX
-- TDF
-- BKL
-- UtOrBLW
-- MiTN
043 ## - GEOGRAPHIC AREA CODE
Geographic area code e-vc---
-- e-it---
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND623 .B9
Item number K55 2014
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 759.5
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name King, Ross,
Dates associated with a name 1962-
245 10 - TITLE STATEMENT
Title Michelangelo & the Pope's ceiling /
Statement of responsibility, etc. Ross King.
246 14 - VARYING FORM OF TITLE
Title proper/short title Michelangelo and the Pope's ceiling.
250 ## - EDITION STATEMENT
Edition statement Paperback edition.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Bloomsbury,
Date of production, publication, distribution, manufacture, or copyright notice 2014.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2003.
300 ## - PHYSICAL DESCRIPTION
Extent 373 pages :
Other physical details illustrations (some color) ;
Dimensions 24 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent.
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia.
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (pages 319-356) and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Summons -- Conspiracy -- Warrior Pope -- Penance -- Painting in the wet -- Design -- Assistants -- House of Buonarroti -- Fountains of the great deep -- Competition -- Great quandary -- Flaying of Marsyas -- True colors -- He shall build the temple of the Lord -- Family business -- Laocoon -- Golden age -- School of Athens -- Forbidden fruit -- Barbarous multitudes -- Bologna redux -- World's game -- New and wonderful manner of painting -- First and supreme creator -- Expulsion of Heliodorus -- Monster of Ravenna -- Many strange forms -- Armor of faith and the sword of light -- II Pensieroso -- In evil plight -- Final touches -- Language of the gods -- Notes -- Bibliography -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo to paint the ceiling of the newly restored Sistine Chapel. With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project. Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered to be among the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this magnificent work-from the great Dutch scholar Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and none with the curved surface of vaults, which dominated the chapel's ceiling. The temperamental Michelangelo was himself reluctant, and he stormed away from Rome, risking Julius's wrath, only to be persuaded to eventually begin. Michelangelo would spend the next four years laboring over the vast ceiling. He executed hundreds of drawings, many of which are masterpieces in their own right. Contrary to legend, he and his assistants worked standing rather than on their backs, and after his years on the scaffold, Michelangelo suffered a bizarre form of eyestrain that made it impossible for him to read letters unless he held them at arm's length. Nonetheless, he produced one of the greatest masterpieces of all time, about which Giorgio Vasari, in his Lives of the Artists, wrote, 'There is no other work to compare with this for excellence, nor could there be.' Ross King's fascinating new book tells the story of those four extraordinary years. Battling against ill health, financial difficulties, domestic problems, inadequate knowledge of the art of fresco, and the pope's impatience, Michelangelo created figures-depicting the Creation, the Fall, and the Flood-so beautiful that, when they were unveiled in 1512, they stunned his onlookers. Modern anatomy has yet to find names for some of the muscles on his nudes, they are painted in such detail. While he worked, Rome teemed around him, its politics and rivalries with other city-states and with France at fever pitch, often intruding on his work. From Michelangelo's experiments with the composition of pigment and plaster to his bitter competition with the famed painter Raphael, who was working on the neighboring Papal Apartments, Ross King presents a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Rome.
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Michelangelo Buonarroti,
Dates associated with a name 1475-1564
General subdivision Appreciation.
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Michelangelo Buonarroti,
Dates associated with a name 1475-1564
General subdivision Contemporaries.
610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Cappella Sistina (Vatican Palace, Vatican City)
630 00 - SUBJECT ADDED ENTRY--UNIFORM TITLE
Uniform title Bible
Form subdivision Illustrations.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Mural painting and decoration, Italian
Geographic subdivision Vatican City.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Mural painting and decoration, Renaissance
Geographic subdivision Vatican City.
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name Italy
General subdivision History
Chronological subdivision 1492-1559.
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Date last checked out Copy number Koha item type
    Library of Congress Classification     Stacks 07/03/2023 1 ND623 .B9 K55 2014 33039001510154 12/18/2024 11/01/2024 1 Book

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