MARC details
000 -LEADER |
fixed length control field |
05348cam a2200433Ii 4500 |
001 - CONTROL NUMBER |
control field |
ocm870517071 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230703154918.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
140213t20142003nyua b 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1620408406 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781620408407 : |
Terms of availability |
$18.00 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(MiKW)5060941-wmichdb |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)870517071 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
5060941 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
ocn870517071 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDXCP |
Language of cataloging |
eng |
Transcribing agency |
YDXCP |
Modifying agency |
BDX |
-- |
TDF |
-- |
BKL |
-- |
UtOrBLW |
-- |
MiTN |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-vc--- |
-- |
e-it--- |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ND623 .B9 |
Item number |
K55 2014 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
759.5 |
Edition number |
23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
King, Ross, |
Dates associated with a name |
1962- |
245 10 - TITLE STATEMENT |
Title |
Michelangelo & the Pope's ceiling / |
Statement of responsibility, etc. |
Ross King. |
246 14 - VARYING FORM OF TITLE |
Title proper/short title |
Michelangelo and the Pope's ceiling. |
250 ## - EDITION STATEMENT |
Edition statement |
Paperback edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Bloomsbury, |
Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2003. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
373 pages : |
Other physical details |
illustrations (some color) ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent. |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia. |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 319-356) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Summons -- Conspiracy -- Warrior Pope -- Penance -- Painting in the wet -- Design -- Assistants -- House of Buonarroti -- Fountains of the great deep -- Competition -- Great quandary -- Flaying of Marsyas -- True colors -- He shall build the temple of the Lord -- Family business -- Laocoon -- Golden age -- School of Athens -- Forbidden fruit -- Barbarous multitudes -- Bologna redux -- World's game -- New and wonderful manner of painting -- First and supreme creator -- Expulsion of Heliodorus -- Monster of Ravenna -- Many strange forms -- Armor of faith and the sword of light -- II Pensieroso -- In evil plight -- Final touches -- Language of the gods -- Notes -- Bibliography -- Index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo to paint the ceiling of the newly restored Sistine Chapel. With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project. Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered to be among the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this magnificent work-from the great Dutch scholar Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and none with the curved surface of vaults, which dominated the chapel's ceiling. The temperamental Michelangelo was himself reluctant, and he stormed away from Rome, risking Julius's wrath, only to be persuaded to eventually begin. Michelangelo would spend the next four years laboring over the vast ceiling. He executed hundreds of drawings, many of which are masterpieces in their own right. Contrary to legend, he and his assistants worked standing rather than on their backs, and after his years on the scaffold, Michelangelo suffered a bizarre form of eyestrain that made it impossible for him to read letters unless he held them at arm's length. Nonetheless, he produced one of the greatest masterpieces of all time, about which Giorgio Vasari, in his Lives of the Artists, wrote, 'There is no other work to compare with this for excellence, nor could there be.' Ross King's fascinating new book tells the story of those four extraordinary years. Battling against ill health, financial difficulties, domestic problems, inadequate knowledge of the art of fresco, and the pope's impatience, Michelangelo created figures-depicting the Creation, the Fall, and the Flood-so beautiful that, when they were unveiled in 1512, they stunned his onlookers. Modern anatomy has yet to find names for some of the muscles on his nudes, they are painted in such detail. While he worked, Rome teemed around him, its politics and rivalries with other city-states and with France at fever pitch, often intruding on his work. From Michelangelo's experiments with the composition of pigment and plaster to his bitter competition with the famed painter Raphael, who was working on the neighboring Papal Apartments, Ross King presents a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Rome. |
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Michelangelo Buonarroti, |
Dates associated with a name |
1475-1564 |
General subdivision |
Appreciation. |
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Michelangelo Buonarroti, |
Dates associated with a name |
1475-1564 |
General subdivision |
Contemporaries. |
610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Cappella Sistina (Vatican Palace, Vatican City) |
630 00 - SUBJECT ADDED ENTRY--UNIFORM TITLE |
Uniform title |
Bible |
Form subdivision |
Illustrations. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Mural painting and decoration, Italian |
Geographic subdivision |
Vatican City. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Mural painting and decoration, Renaissance |
Geographic subdivision |
Vatican City. |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Italy |
General subdivision |
History |
Chronological subdivision |
1492-1559. |