MARC details
| 000 -LEADER |
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| fixed length control field |
04581cam a22003011i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocm00426637 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
000000|||||||||nyu|||||||||||||| ||eng|u |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
47012355 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0393097455 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780393097450 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)00426637 |
| Canceled/invalid control number |
(OCoLC)599225 |
| -- |
(OCoLC)150797289 |
| -- |
(OCoLC)692247702 |
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(OCoLC)964622970 |
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(OCoLC)986731243 |
| -- |
(OCoLC)1004442616 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
ocm00426637 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MiAIIG |
| Language of cataloging |
eng |
| Transcribing agency |
MiAIIG |
| Modifying agency |
MiTN |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML193 .B8 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Bukofzer, Manfred F., |
| Dates associated with a name |
1910-1955, |
| 245 10 - TITLE STATEMENT |
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| Title |
Music in the baroque era : |
| Remainder of title |
from Monteverdi to Bach / |
| Statement of responsibility, etc. |
by Manfred F. Bukofzer. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
W.W. Norton & Company, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[1947] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xv, 489 pages, 12 pages of plates : |
| Other physical details |
illustrations, portraits, facsimiles, music ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 417-469). |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chapter 1 : Renaissance versus Baroque music. Disintegration of stylistic unity ; Stylistic comparison between Renaissance and Baroque music ; The phases of Baroque music -- Chapter 2 : Early Baroque in Italy. The beginnings of the concerto style : Gabrieli ; The monody : Peri and Caccini ; Transformation of the madrigal : Monteverdi ; The influence of the dance on vocal music ; Emancipation of instrumental music : Frescobaldi ; The rise of the opera : Monteverdi ; Tradition and progress in sacred music -- Chapter 3 : Early and middle Baroque in the northern countries. The Netherlands school and its English background ; English antecedents : the abstract instrumental style ; The Netherlands: Sweelinck ; Germany and Austria in the 17th century ; Chorale and devotional song ; Chorale motet and choral concertato : Schein ; The dramatic concertato : Sch亠; Continuo Lied, opera and oratorio ; Instrumental music : Scheidt, Froberger, and Biber -- Chapter 4 : Italian music of the middle Baroque. The bel-canto style ; The chamber cantata : Luigi Rossi and Carissimi ; The oratorio : Carissimi and Stradella ; The Venetian opera school ; Instrumental music : the Bologna school -- Chapter 5 : French music under absolutism. The ballet de cour ; French reactions to Italian opera ; Com餩e-ballet and the trag餩e lyrique : Lully ; Cantata, oratorio, and church music ; Lute miniatures and keyboard music : Gaultier and Chambonni貥s ; Music in the Iberian peninsula, New Spain, and Colonial America -- Chapter 6 : English music during the commonwealth and restoration. The masque and the English opera : Lawes and Blow ; Consort music : Jenkins and Simpson ; Anglican church music : Porter, Humfrey, and Blow ; Henry Purcell, the Restoration genius. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chapter 7 : Late Baroque : luxuriant counterpoint and concerto style. The culmination of late Baroque music in Italy ; The rise of tonality ; Concerto grosso and solo concerto ; Ensemble sonata and solo sonata ; Opera seria and opera buffa : cantata and sacred music ; Late Baroque and Rococo style in France ; Ensemble and clavecin music ; Opera and cantata in France -- Chapter 8 : Fusion of national styles : Bach. The state of instrumental music in Germany before Bach ; The state of protestant church music before Bach ; Bach : the early period ; Bach the organist : Weimar ; Bach the mentor : C䨥n ; Bach the cantor : Lepzig ; Bach, the past master -- Chapter 9 : Coordination of national styles : Handel. The state of secular vocal music in Germany before Handel ; Handel : German apprentice period ; Italian journeyman period ; English master period : operas, oratorios, instrumental music ; Bach and Handel, a comparison -- Chapter 10 : Form in Baroque music. Formal principles and formal schemes ; Style and form ; Audible and inaudible order -- Chapter 11 : Musical thought of the Baroque era. Code of performance : composer and performer ; Theory and practice of composition ; Musical speculation -- Chapter 12 : Sociology of Baroque music. Courtly musical institutions of state and church : private patronage ; Civic musical institutions : collective patronage ; Social and economic aspects of music and musicians. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This history of the music of the Baroque Era in Europe--roughly, from the 17th century through the first half of the 18th--covers the entire field, from Monteverdi and Sch亠at its inception to the great works of Bach and Handel.--Adapted from publisher description. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Music |
| Chronological subdivision |
17th century |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Music |
| Chronological subdivision |
18th century |
| General subdivision |
History and criticism. |