MARC details
000 -LEADER |
fixed length control field |
03709pam a2200373 i 4500 |
001 - CONTROL NUMBER |
control field |
zzv194 b2883598 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220916124618.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
210330s2022 nyu b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2021014971 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780735217959 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0735217955 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
GCmBT |
-- |
NjBwBT |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 ## - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
E169.12 |
Item number |
.K556 2022 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
306.0973/09049 |
Edition number |
23 |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
306.09730904 Klosterman |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Klosterman, Chuck, |
Dates associated with a name |
1972- |
245 14 - TITLE STATEMENT |
Title |
The nineties / |
Statement of responsibility, etc. |
Chuck Klosterman. |
246 33 - VARYING FORM OF TITLE |
Title proper/short title |
90's. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Penguin Press, |
Date of publication, distribution, etc. |
2022. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
370 pages ; |
Dimensions |
25 cm. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 341-354) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Fighting the battle of who could care less -- The structure of feeling (swingin' on the flippity-flop) -- Nineteen percent -- The edge, as view from the middle -- The movie was about a movie -- CTRL + ALT + DELETE -- Three true outcomes -- Yesterday's concepts of tomorrow -- Sauropods -- A two-dimensional fourth dimension -- I feel the pain of everyone, then I feel nothing -- The end of the decade, the end of decades. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like 'Cop Killer' and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, 'The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany' make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian."--publisher's website. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Popular culture |
Geographic subdivision |
United States |
General subdivision |
History |
Chronological subdivision |
20th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Nineteen nineties |
Geographic subdivision |
United States. |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
United States |
General subdivision |
Civilization |
Chronological subdivision |
1970- |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
United States |
General subdivision |
Social life and customs |
Chronological subdivision |
1971- |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
United States |
General subdivision |
Intellectual life |
Chronological subdivision |
20th century. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Online version: |
Main entry heading |
Klosterman, Chuck, 1972- |
Title |
Nineties |
Place, publisher, and date of publication |
New York : Penguin Press, 2022 |
International Standard Book Number |
9780735217973 |
Record control number |
(DLC) 2021014972. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |