MARC details
| 000 -LEADER |
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| fixed length control field |
05055cam a2200421 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocm1124485876 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20220728162311.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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191002t20192018nyuaf b 001 0 eng c |
| 019 ## - |
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1082187838 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780316226172 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1124485876 |
| Canceled/invalid control number |
(OCoLC)1082187838 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
UKMGB |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
UKMGB |
| Modifying agency |
OCLCO |
| -- |
VU@ |
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BDX |
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OCLCF |
| -- |
EAU |
| -- |
CNTBC |
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YDX |
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WIQ |
| -- |
MiTN |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N6494 .A25 |
| Item number |
G33 2019 |
| 099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC) |
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| Classification number |
709.747 |
| -- |
G |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gabriel, Mary, |
| Dates associated with a name |
1955- |
| 245 10 - TITLE STATEMENT |
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| Title |
Ninth street women : |
| Remainder of title |
Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler : five painters and the movement that changed modern art / |
| Statement of responsibility, etc. |
Mary Gabriel. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
First Back Bay paperback edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Back Bay Books, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2019. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2018. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xvi, 926 pages, 48 unnumbered pages of plates : |
| Other physical details |
illustrations (black and white, and colour) ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
still image |
| Source |
rdacontent. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Source |
rdacarrier. |
| 500 ## - GENERAL NOTE |
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| General note |
Originally published: New York: Little, Brown and Company, 2018. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Miscellaneous information |
Introduction -- |
| -- |
Prologue : |
| Title |
The Ninth Street show, New York, May 1951 -- |
| Miscellaneous information |
Part I. |
| Title |
1928-1948 : |
| -- |
Lee : |
| -- |
Lena, Lenore, Lee -- |
| -- |
The gathering storm -- |
| -- |
The end of the beginning -- |
| -- |
Elaine : |
| -- |
Marie Catherine Mary Ellen O'Brien Fried's daughter -- |
| -- |
The master and Elaine -- |
| -- |
Art in war : |
| -- |
The flight of the artists -- |
| -- |
It is war, everywhere, always -- |
| -- |
Chelsea -- |
| -- |
Intellectual occupation -- |
| -- |
The high beam -- |
| -- |
A light that blinds, I -- |
| -- |
A light that blinds, II -- |
| -- |
The turning point : |
| -- |
It's 1919 over again! -- |
| -- |
Awakenings -- |
| -- |
Separate together -- |
| -- |
Peintres maudits -- |
| -- |
Lyrical desperation -- |
| -- |
Death visits the kingdom of the saints -- |
| -- |
The new Arcadia -- |
| Miscellaneous information |
Part II. |
| Title |
1948-1951 : |
| -- |
Grace : The call of the wild -- |
| -- |
The acts of the Apostles, I -- |
| -- |
The acts of the Apostles, II -- |
| -- |
Fame -- |
| -- |
The flowering -- |
| -- |
Riot and risk -- |
| -- |
Helen : The deep end of wonder -- |
| -- |
The thrill of it -- |
| -- |
The puppet master -- |
| -- |
Joan : Painted poems -- |
| -- |
Mexico to Manhattan via Paris and Prague -- |
| -- |
Waifs and minstrels -- |
| Miscellaneous information |
Part III. |
| Title |
1951-1955 : |
| -- |
Oh, to leave a trace : |
| -- |
Coming out -- |
| -- |
The perils of discovery -- |
| -- |
Said the poet to the painter -- |
| -- |
Neither by design nor definition -- |
| -- |
Discoveries of heart and hand : |
| -- |
Swimming against a riptide -- |
| -- |
At the threshold -- |
| -- |
Figures and speech -- |
| -- |
Refuge -- |
| -- |
A change of art -- |
| -- |
Life or art -- |
| -- |
The red house -- |
| -- |
Five women : |
| -- |
The grand girls, I -- |
| -- |
The grand girls, II -- |
| -- |
The grand girls, III -- |
| -- |
Part IV. |
| -- |
1956-1959 : |
| -- |
The rise and the unraveling : Embarkation point -- |
| -- |
Without him -- |
| -- |
The gold rush -- |
| -- |
A woman's decision -- |
| -- |
Sputnik, beatnik, and pop -- |
| -- |
Bridal lace and widow's weeds -- |
| -- |
Five paths ... -- |
| -- |
... Forward -- |
| Miscellaneous information |
Epilogue. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future."--Inside dust jacket. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
De Kooning, Elaine. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Frankenthaler, Helen, |
| Dates associated with a name |
1928-2011. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hartigan, Grace. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Krasner, Lee, |
| Dates associated with a name |
1908-1984. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Mitchell, Joan, |
| Dates associated with a name |
1925-1992. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
New York school of art. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Women artists |
| Geographic subdivision |
New York (State) |
| -- |
New York. |