MARC details
| 000 -LEADER |
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| fixed length control field |
02807cam a2200397 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
1147892035 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20220211102413.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
200403s2020 ncua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2020015417 |
| 019 ## - |
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| -- |
1147905076 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1469660350 |
| Qualifying information |
hardcover |
| -- |
alkalinepaper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1469660369 |
| Qualifying information |
paperback |
| -- |
alkalinepaper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781469660356 |
| Qualifying information |
hardcover |
| -- |
alkalinepaper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781469660363 |
| Qualifying information |
paperback |
| -- |
alkalinepaper |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781469660370 |
| Qualifying information |
electronic book |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1147892035 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
NcU/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
| -- |
BDX |
| -- |
OCLCF |
| -- |
OCLCO |
| -- |
RIOSL |
| -- |
YDX |
| -- |
UtOrBLW |
| -- |
MiTN |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3521 |
| Item number |
.G95 2020 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
781.64309 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gussow, Adam, |
| 245 10 - TITLE STATEMENT |
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| Title |
Whose blues? : |
| Remainder of title |
facing up to race and the future of the music / |
| Statement of responsibility, etc. |
Adam Gussow. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Chapel Hill : |
| Name of producer, publisher, distributor, manufacturer |
The University of North Carolina Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2020] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
320 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
25 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Starting the conversation -- Blues conditions -- Blues feelings and "real bluesmen" -- Blues expressiveness and the blues ethos -- W.C. Handy and the "birth" of the blues -- Langston Hughes and the scandal of early blues poetry -- Zora Neale Hurston in the Florida jooks -- Ralph Ellison, Richard Wright, and the Southern blues violences -- The blues revival and the black arts movement -- Giving it all away: blues harmonica education in the digital age -- Turnaround. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's 'No black. No white. Just the blues,' as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if 'blues is black music,' as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities?"-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
African Americans |
| General subdivision |
Music |
| -- |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Blues (Music) |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music and race |
| Geographic subdivision |
United States. |