MARC details
| 000 -LEADER |
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| fixed length control field |
03712cam a2200493 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
21069014 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20220124115816.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
190711t20192019ilua bc 001 0 eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2019945826 |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBB9I5241 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
019411212 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0300247079 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780300247077 |
| Qualifying information |
(paperback) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)on1122448751 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
COO |
| Language of cataloging |
eng |
| Transcribing agency |
COO |
| Description conventions |
rda |
| Modifying agency |
OCLCO |
| -- |
BDX |
| -- |
YDXIT |
| -- |
CGU |
| -- |
CNNGC |
| -- |
YDX |
| -- |
FDA |
| -- |
UKMGB |
| -- |
OCLCQ |
| -- |
OCLCA |
| -- |
CHVBK |
| -- |
OCLCO |
| -- |
DLC |
| -- |
MiTN |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
NC258 |
| Item number |
.L63 2019 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lobis, Victoria Sancho, |
| Dates associated with a name |
1976- |
| 245 10 - TITLE STATEMENT |
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| Title |
Rubens, Rembrandt, and drawing in the Golden Age / |
| Statement of responsibility, etc. |
Victoria Sancho Lobis ; with an essay by Antoinette Owen and contributions by Francesca Casadio and Emily Vokt Ziemba. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Chicago, IL : |
| Name of producer, publisher, distributor, manufacturer |
The Art Institute of Chicago, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2019] |
| 264 #2 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New Haven ; |
| -- |
London : |
| Name of producer, publisher, distributor, manufacturer |
Distributed by Yale University Press |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
�2019 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
354 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
27 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
still image |
| Content type code |
sti |
| Source |
rdacontent |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Published in conjunction with an exhibition of the same title organized and presented at the Art Institute of Chicago, September 28, 2019, to January 2020. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 338-349) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Miscellaneous information |
Foreword / |
| Statement of responsibility |
James Rondeau -- |
| Miscellaneous information |
Acknowledgments -- |
| -- |
Note to the reader -- |
| -- |
Glossary -- |
| Title |
From experiment to spectacle -- |
| -- |
Under the master's watchful eye -- |
| -- |
The imperative of Italy -- |
| -- |
The live model -- |
| -- |
From the imagination -- |
| -- |
In service of her sister arts -- |
| -- |
The independent landscape -- |
| -- |
The afterlife of drawings -- |
| Miscellaneous information |
Catalogue of drawings / |
| Statement of responsibility |
compiled by Laurel Garber, Meg Hausberg, Victoria Sancho Lobis, and Emily Vokt Ziemba -- |
| Title |
Paper in the Netherlands / |
| Statement of responsibility |
Antoinette Owen -- |
| Title |
Watermarks / |
| Statement of responsibility |
Antoinette Owen -- |
| Miscellaneous information |
Works cited -- |
| -- |
Index. |
| 520 8# - SUMMARY, ETC. |
|---|
| Summary, etc. |
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century. With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist's mind. Exhibition: The Art Institute of Chicago, USA (28.09.2019-05.01.2020). |
| 600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Rembrandt Harmenszoon van Rijn, |
| Dates associated with a name |
1606-1669 |
| Form subdivision |
Exhibitions. |
| 600 06 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Rembrandt Harmenszoon van Rijn, |
| Dates associated with a name |
1606-1669 |
| Form subdivision |
Expositions. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Rubens, Peter Paul, |
| Dates associated with a name |
1577-1640 |
| Form subdivision |
Exhibitions. |
| 600 16 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Rubens, Peter Paul, |
| Dates associated with a name |
1577-1640 |
| Form subdivision |
Expositions. |
| 648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM |
|---|
| Chronological term |
1600-1699 |
| Source of heading or term |
fast |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Drawing, Dutch |
| Chronological subdivision |
17th century |
| Form subdivision |
Exhibitions. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Drawing, Flemish |
| Chronological subdivision |
17th century |
| Form subdivision |
Exhibitions. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Casadio, Francesca. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Owen, Antoinette. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ziemba, Emily Vokt. |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Art Institute of Chicago, |