MARC details
| 000 -LEADER |
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| fixed length control field |
03439cam a2200409 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
sky303568938 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
SKY |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20250109085812.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
201201s2021 enkaf b 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1788402456 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781788402453 (pbk.) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
UKMGB |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
UKMGB |
| Modifying agency |
OCLCO |
| -- |
BDX |
| -- |
OCLCF |
| -- |
UKOBU |
| -- |
INU |
| -- |
YDX |
| -- |
OCLCO |
| -- |
MOF |
| -- |
SKYRV |
| -- |
MiTN |
| -- |
UtOrBLW |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e-uk--- |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N430 |
| Item number |
.P763 2021 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
306.470941 |
| Edition number |
23 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
306.370941 Procter |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Procter, Alice |
| Titles and words associated with a name |
(Art historian), |
| 245 14 - TITLE STATEMENT |
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| Title |
The whole picture : |
| Remainder of title |
the colonial story of the art in our museums & why we need to talk about it / |
| Statement of responsibility, etc. |
Alice Procter. |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Colonial story of the art in our museums and why we need to talk about it. |
| 246 30 - VARYING FORM OF TITLE |
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| Title proper/short title |
Colonial story of the art in our museums & why we need to talk about it. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
London : |
| Name of producer, publisher, distributor, manufacturer |
Cassell, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2021] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
319 pages, 16 unnumbered pages of plates : |
| Other physical details |
color illustrations ; |
| Dimensions |
20 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
Originally published: 2020. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 296-305) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Part I. The palace -- 1. Vases & attitudes -- 2. The sarcophagus -- 3. Pitt's diamond -- 4. An offering -- 5. Forged relics -- Part II. The classroom -- 6. The kangaroo & the dingo -- 7. Mai -- 8. The tiger of Mysore -- 9. Abolitionists -- 10. England's greatness -- 11. The shield -- Part III. The memorial -- 12. A Haida carving -- 13. Mokomokai -- 14. Mining the museum -- 15. Human zoos -- 16. The coffin -- Part IV. The playground -- 17. Museum highlights -- 18. Crowd control -- 19. The ship -- 20. Sugar baby -- 21. Change the date -- 22. Return -- Conclusion -- Endnotes -- Bibliography -- Picture credits -- Index -- Acknowledgements. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space : The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India ; the tattooed Maori skulls collected as 'art objects' by Europeans ; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art museums |
| General subdivision |
Exhibitions |
| -- |
Moral and ethical aspects. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Colonial. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Cultural property |
| General subdivision |
Repatriation. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Human remains (Archaeology) |
| General subdivision |
Repatriation. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Museum exhibits. |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
Great Britain |
| General subdivision |
Colonies. |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
Great Britain |
| General subdivision |
Cultural policy. |