MARC details
000 -LEADER |
fixed length control field |
04791cam a2200409 i 4500 |
001 - CONTROL NUMBER |
control field |
ocm1099946513 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20210611131135.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190605s2020 njua b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019010257 |
019 ## - |
-- |
1099953595 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780813597171 |
Qualifying information |
hardcover |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
081359717X |
Qualifying information |
hardcover |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780813597164 |
Qualifying information |
paperback |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0813597161 |
Qualifying information |
paperback |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1099946513 |
Canceled/invalid control number |
(OCoLC)1099953595 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
BDX |
-- |
YDX |
-- |
OCLCO |
-- |
OCLCF |
-- |
OCLCQ |
-- |
YDX |
-- |
OCLCO |
-- |
MNN |
-- |
EEM |
-- |
UtOrBLW |
-- |
MiTN |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN6714 |
Item number |
.S83 2020 |
245 04 - TITLE STATEMENT |
Title |
The superhero symbol : |
Remainder of title |
media, culture, and politics / |
Statement of responsibility, etc. |
edited by Liam Burke, Ian Gordon, and Angela Ndalianis. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New Brunswick, New Jersey : |
Name of producer, publisher, distributor, manufacturer |
Rutgers University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2020] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
vi, 327 pages : |
Other physical details |
illustrations (some color) ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent. |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia. |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Introduction: "Everlasting" Symbols: Unmasking superheroes and their shifting symbolic function, Liam Burke -- |
Miscellaneous information |
Part 1: Superheroes, Politics, and Civic Engagement -- |
Title |
"What Else Can You Do With Them?": Superheroes and the Civic Imagination / |
Statement of responsibility |
Henry Jenkins -- |
Title |
"America Is A Piece of Trash": Captain America, Patriotism, Nationalism, and Fascism / |
Statement of responsibility |
Neal Curtis -- |
Title |
"This Land is Mine!" Understanding the Function of Supervillains / |
Statement of responsibility |
Jason Bainbridge -- |
Title |
Interview 1: Comics artist, writer, and "herstorian" / |
Statement of responsibility |
Trina Robbins -- |
Miscellaneous information |
Part 2: The Superhero as a Brand -- |
Title |
The Secret Commercial Identity of Superheroes: Protecting the Superhero Symbol / |
Statement of responsibility |
Mitchell Adams -- |
Title |
Siegel and Shuster as Brand Name / |
Statement of responsibility |
Ian Gordon -- |
Title |
Practicing Superhuman Law: Creative License, Industrial Identity, and Spider-Man's Homecoming / |
Statement of responsibility |
Tara Lomax -- |
Title |
The sound of the cinematic superhero / |
Statement of responsibility |
Dan Golding -- |
Title |
Interview 2: Former President of DC Entertainment / |
Statement of responsibility |
Diane Nelson -- |
Miscellaneous information |
Part 3: Becoming the Superhero -- |
Title |
Arkham Knave: The Joker in Game Design / |
Statement of responsibility |
Steven Conway -- |
Title |
Being Super, Becoming Heroes: Dialogic Superhero Narratives in Cosplay Collectives / |
Statement of responsibility |
Claire Langsford -- |
Title |
"From Pages to Pavements": A Criminological Comparison Between Depictions of Crime Control in Superhero Narratives and "Real-Life Superhero" Activity / |
Statement of responsibility |
Vladislav Iouchkov and John McGuire. -- |
Title |
Interview 3: Dark Night: A True Batman Story writer Paul Dini -- |
Miscellaneous information |
Part 4: Superheroes and National Identity -- |
Title |
Captain America, National Narratives, and the Queer Subversion of the Retcon / |
Statement of responsibility |
Naja Later -- |
Title |
Apes, Angels, and Super Patriots: The Irish in Superhero Comics / |
Statement of responsibility |
Liam Burke -- |
Title |
Missing in Action: The Late Development of the German-Speaking Superhero / |
Statement of responsibility |
Paul M. Malone -- |
Title |
Chinese Milk for Iron Men: Superhero Coproductions and Technological Anxiety / |
Statement of responsibility |
Shan Mu Zhao -- |
Title |
Age of the Atoman: Australian Superhero Comics and Cold War Modernity / |
Statement of responsibility |
Kevin Patrick -- |
Title |
Interview 4: Cleverman creator Ryan Griffen and star Hunter Page-Lochard. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
""As a man, I'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol... as a symbol I can be incorruptible, I can be everlasting". In the 2005 reboot of the then dormant Batman film franchise, Batman Begins, Bruce Wayne articulates how the figure of the superhero can serve as a transcendent icon. It is hard to imagine a time when superheroes have been more pervasive in our culture. Today, superheroes are intellectual property jealously guarded by media conglomerates, icons co-opted by grassroots groups as a four-color rebuttal to social inequities, masks people wear to more confidently walk convention floors and city streets, and bulletproof banners that embody regional and national identities. From activism to cosplay, understanding how these different groups and interests have made use of this powerful icon is essential to unmasking the appeal of superheroes and their wider impact. To address this interest, The Superhero Symbol brings together scholars from a range of disciplines, alongside key industry figures. Collectively, these contributions provide fresh perspectives on how these costume-clad heroes have engaged with media, culture, and politics, thereby becoming the "everlasting" symbols to which a wayward Bruce Wayne once aspired"-- |
Assigning source |
Provided by publisher. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Superheroes |
General subdivision |
Social aspects. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Comic strip characters in motion pictures. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Superhero films |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Superheroes in literature. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Heroes in motion pictures. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Burke, Liam |
Fuller form of name |
(Liam P.), |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Gordon, Ian, |
Dates associated with a name |
1954- |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Ndalianis, Angela, |
Dates associated with a name |
1960- |