NMC Library

Toscanini : (Record no. 34756)

MARC details
000 -LEADER
fixed length control field 04049cam a2200361 i 4500
001 - CONTROL NUMBER
control field 19584859
003 - CONTROL NUMBER IDENTIFIER
control field MiTN
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20190729110710.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 170405s2017 nyuaf b 001 0beng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2017016654
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781631492716
Qualifying information hardcover
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency DLC
042 ## - AUTHENTICATION CODE
Authentication code pcc
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML422.T67
Item number S35 2017
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 784.2092
-- B
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Sachs, Harvey,
Dates associated with a name 1946-
245 10 - TITLE STATEMENT
Title Toscanini :
Remainder of title musician of conscience /
Statement of responsibility, etc. Harvey Sachs.
250 ## - EDITION STATEMENT
Edition statement First edition.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Liveright,
Date of production, publication, distribution, manufacture, or copyright notice [2017]
300 ## - PHYSICAL DESCRIPTION
Extent xviii, 923 pages, 40 unnumbered pages of plates :
Other physical details illustrations ;
Dimensions 24 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Indeterminate and determinate sounds -- Beardless maestro -- Turin -- La Scala reformed -- The Metropolitan -- Interlude -- La Scala re-created -- The New York Philharmonic and new horizons -- Clear as crystal and just as cutting -- Exile and return -- Finale -- Coda.
520 ## - SUMMARY, ETC.
Summary, etc. It may be difficult to imagine today, but Arturo Toscanini -- recognized widely as the most celebrated conductor of the twentieth century -- was once one of the most famous people in the world. Like Einstein in science or Picasso in art, Toscanini (1867-1957) transcended his own field, becoming a figure of such renown that it was often impossible not to see some mention of the maestro in the daily headlines. Acclaimed music historian Harvey Sachs has long been fascinated with Toscanini's extraordinary story. Drawn not only to his illustrious sixty-eight-year career but also to his countless expressions of political courage in an age of tyrants, and to a private existence torn between love of family and erotic restlessness, Sachs produced a biography of Toscanini in 1978. Yet as archives continued to open and Sachs was able to interview an ever-expanding list of relatives and associates, he came to realize that this remarkable life demanded a completely new work, and the result is Toscanini -- an utterly absorbing story of a man who was incapable of separating his spectacular career from the call of his conscience. Famed for his fierce dedication but also for his explosive temper, Toscanini conducted the world premieres of many Italian operas, including Pagliacci, La Boheme, and Turandot, as well as the Italian premieres of works by Wagner, Brahms, Tchaikovsky, and Debussy. In time, as Sachs chronicles, he would dominate not only La Scala in his native Italy but also the Metropolitan Opera, the New York Philharmonic, and the NBC Symphony Orchestra. He also collaborated with dozens of star singers, among them Enrico Caruso and Feodor Chaliapin, as well as the great sopranos Rosina Storchio, Geraldine Farrar, and Lotte Lehmann, with whom he had affairs. While this consuming passion constantly blurred the distinction between professional and personal, it did forge within him a steadfast opposition to totalitarianism and a personal bravery that would make him a model for artists of conscience. As early as 1922, Toscanini refused to allow his La Scala orchestra to play the Fascist anthem, "Giovinezza," even when threatened by Mussolini's goons. And when tens of thousands of desperate Jewish refugees poured into Palestine in the late 1930s, he journeyed there at his own expense to establish an orchestra comprised of refugee musicians, and his travels were followed like that of a king. Thanks to unprecedented access to family archives, Toscanini becomes not only the definitive biography of the conductor, but a work that soars in its exploration of musical genius and moral conscience, taking its place among the great musical biographies of our time.
596 ## -
-- 1
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Toscanini, Arturo,
Dates associated with a name 1867-1957.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Conductors (Music)
Form subdivision Biography.
948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN)
Series part designator, SPT (RLIN) u621331
949 ## - LOCAL PROCESSING INFORMATION (OCLC)
a ML422.T67 S35 2017
w LC
c 1
h EY8Z
i 33039001411197
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 34756
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Copy number Koha item type
    Library of Congress Classification     Stacks 06/19/2018   ML422.T67 S35 2017 33039001411197 07/20/2023 1 Book

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