MARC details
| 000 -LEADER |
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| fixed length control field |
03497cam a2200433Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
933729149 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190729110519.0 |
| 019 ## - |
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| -- |
913924857 |
| -- |
945750237 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
150807s2015 nyua 001 0beng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780670024919 (HRD) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0670024910 (HRD) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)933729149 |
| Canceled/invalid control number |
(OCoLC)913924857 |
| -- |
(OCoLC)945750237 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
AZZPT |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
AZZPT |
| Modifying agency |
OCLCQ |
| -- |
YDXCP |
| -- |
BTCTA |
| -- |
MR0 |
| -- |
OCLCO |
| -- |
CLE |
| -- |
CGP |
| -- |
JTH |
| -- |
BDX |
| -- |
RB0 |
| -- |
OCLCF |
| -- |
BGU |
| -- |
UtOrBLW |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
n-us--- |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1998.3.W45 |
| Item number |
C365 2015 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
790 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Callow, Simon, |
| Dates associated with a name |
1949- |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Orson Welles. |
| Number of part/section of a work |
Volume 3, |
| Name of part/section of a work |
One-man band / |
| Statement of responsibility, etc. |
Simon Callow |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Orson Welles : |
| Remainder of title |
one-man band |
| 246 30 - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
One-man band |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Viking, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2015] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxiii, 466 pages, 16 pages of plates : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
"First published in Great Britain by Jonathan Cape, an imprint of Penguin Random House UK"--Title page verso |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Third volume of the biography. First published as Orson Welles : the road to Xanadu in 1996. Second published as Orson Welles : hello Americans in 2006 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
The third volume of Simon Callow's acclaimed Orson Welles biography, covering the period of his exile from America (19471964), when he produced some of his greatest works, including Touch of Evil. In One-Man Band, the third volume in his epic and all-inclusive four-volume survey of Orson Welles's life and work, the celebrated British actor Simon Callow again probes in comprehensive and penetrating detail into one of the most complex, contradictory artists of the twentieth century, whose glorious triumphs (and occasional spectacular failures) in film, radio, theater, and television introduced a radical and original approach that opened up new directions in the arts. This volume begins with Welles's self-exile from America, and his realization that he could function only to his own satisfaction as an independent film maker, a one-man band, in fact, which committed him to a perpetual cycle of money raising. By 1964, he had filmed Othello, which took three years to complete; Mr. Arkadin, the most puzzling film in his output; and a masterpiece in another genre, Touch of Evil, which marked his one return to Hollywood, and like all too many of his films was wrested from his grasp and reedited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, of which his 1955 London Moby-Dick is considered by theater historians to be one of the seminal productions of the century. His private life was as spectacularly complex and dramatic as his professional life. The book reveals what it was like to be around Welles, and, with an intricacy and precision rarely attempted before, what it was like to be him, answering the riddle that has long fascinated film scholars and lovers alike: Whatever happened to Orson Welles? |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (p. 425-445) and index |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes performances, stage productions, televisions productions and filmography |
| 596 ## - |
|---|
| -- |
1 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Welles, Orson, |
| Dates associated with a name |
1915-1985 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion picture producers and directors |
| Geographic subdivision |
United States |
| Form subdivision |
Biography |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Biography. |
| Source of term |
fast |
| Authority record control number |
(OCoLC)fst01423686 |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
|---|
| Series part designator, SPT (RLIN) |
u613167 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
|---|
| a |
33669 |