MARC details
000 -LEADER |
fixed length control field |
03510cam a2200409Ii 4500 |
001 - CONTROL NUMBER |
control field |
908628724 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20250203142301.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
150507s2016 nyu b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2015942281 |
019 ## - |
-- |
934517944 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780316282178 |
Qualifying information |
(hardcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0316282170 |
Qualifying information |
(hardcover) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
.b79342607 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)908628724 |
Canceled/invalid control number |
(OCoLC)934517944 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDXCP |
Language of cataloging |
eng |
Transcribing agency |
YDXCP |
Modifying agency |
BTCTA |
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BDX |
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AZZPT |
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PX0 |
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ZPP |
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IK2 |
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UOK |
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VP@ |
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GZM |
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FM0 |
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SNM |
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GVA |
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YYP |
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FMA |
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OCLCF |
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UtOrBLW |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PE1408.C53 |
Item number |
A78 2016 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Clark, Roy Peter. |
245 14 - TITLE STATEMENT |
Title |
The art of X-ray reading : |
Remainder of title |
how the secrets of 25 great works of literature will improve your writing / |
Statement of responsibility, etc. |
Roy Peter Clark. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Little, Brown and Company, |
Date of production, publication, distribution, manufacture, or copyright notice |
2016. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
viii, 326 pages ; |
Dimensions |
22 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 313-316) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction: Where writers learn their best moves -- X-raying Gatsby: power of the parts -- X-raying Lolita: words at play -- X-raying Hemingway and Didion: words left out -- X-raying James Joyce: language as sacrament -- X-raying Sylvia Plath: jolt of insight -- X-raying Flannery O'Connor: dragon's teeth -- X-raying "The lottery": piling stones -- X-raying Madame Bovary: signs of inner life -- X-raying Miss Lonelyhearts and A visit from the Goon Squad: texts within texts -- X-raying King Lear and The grapes of wrath: tests of character -- X-raying Gabriel GarciÌa MaÌrquez: making it strange -- X-raying Homer, Virgil, Roth- and Hitchcock: zooming in -- X-raying Chaucer: pointing the way -- X-raying Sir Gawain and the Green Knight: careless wish -- X-raying Macbeth: ends of things -- X-raying Shakespeare's sonnets: shaking the form -- X-raying Moby-Dick: three little words -- X-raying W.B. Yeats: sacred center -- X-raying Zora Neale Hurston: words on fire -- X-raying Harper Lee: weight of the wait -- X-raying M.F.K. Fisher: cooking a story -- X-raying Hiroshima: stopped clock -- X-raying Rachel Carson and Laura Hillenbrand: sea inside us -- X-raying Toni Morrison: repetitious variation -- X-raying Charles Dickens and Donna Tartt: echo of text -- Great sentences from famous authors: an exercise in X-ray reading -- Twelve steps to get started as an X-ray reader. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Where do writers learn their best moves? They use a technique that Roy Peter Clark calls X-ray reading, a form of reading that lets you penetrate beyond the surface of a text to see how meaning is actually being made. In THE ART OF X-RAY READING, Clark invites you to don your X-ray reading glasses and join him on a guided tour through some of the most exquisite and masterful literary works of all time, from the Great Gatsby to Lolita to The Bluest Eye, and many more. Along the way, he shows you how to mine these masterpieces for invaluable writing strategies that you can add to your arsenal and apply in your own writing. Once you've experienced X-ray reading, your writing will never be the same again. --Publisher |
596 ## - |
-- |
1 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
English language |
General subdivision |
Rhetoric. |
9 (RLIN) |
2434 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Literature |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Reading comprehension. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Fiction |
General subdivision |
Technique. |
9 (RLIN) |
2530 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Criticism, interpretation, etc. |
Source of term |
fast |
Authority record control number |
(OCoLC)fst01411635 |
948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
Series part designator, SPT (RLIN) |
u613102 |
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
a |
33609 |