MARC details
| 000 -LEADER |
|---|
| fixed length control field |
07899cam a2200409Ki 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
899155665 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20190729110145.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
141222s2015 ilua 000 m eng d |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
|---|
| National bibliography number |
GBB505540 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
|---|
| Record control number |
017010408 |
| Source |
Uk |
| 019 ## - |
|---|
| -- |
871789576 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781608463954 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1608463958 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
.b78057346 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)899155665 |
| Canceled/invalid control number |
(OCoLC)871789576 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
TOH |
| Language of cataloging |
eng |
| Transcribing agency |
TOH |
| Modifying agency |
YDXCP |
| -- |
BTCTA |
| -- |
COC |
| -- |
IAD |
| -- |
UKMGB |
| -- |
OSU |
| -- |
UtOrBLW |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
OSUU |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
PS617 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
.B743 2015 |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
PS617 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
.B743 2015 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Coval, Kevin. |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The Breakbeat poets : |
| Remainder of title |
new American poetry in the age of hip-hop / |
| Statement of responsibility, etc. |
Kevin Coval, Quraysh Ali Lansana, & Nate Marshall, editors. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Chicago : |
| Name of producer, publisher, distributor, manufacturer |
Haymarket Books, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2015. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2015. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxii, 350 pages : illustrations ; |
| Dimensions |
23 cm. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Kevin Coval : Introduction -- Randall Horton (1961) : An (i)witness say he still had the mike in his hand -- Joel Dias-Porter aka DJ Renegade (1962) : Turning the tables ; Wednesday poem -- Thoas Sayers Ellis (1963) : An excerpt from Crank shaped notes -- Quraysh Ali Lansana (1964) : Mascot ; Crack house ; Seventy-first & King Drive -- Evie Shockley (1965) : Duck, duck, redux ; Post-white -- Tony Medina (1966) : Everything you wanted to know about hip hop but where afraid to be hipped for fear of being hopped ; The keepin' it real awards -- Willie Perdomo (1967) : Shit to write about ; Word to everything I love ; Writing about what you know -- Mario (1967) : Agate -- Roger Bonair-Agard (1968) : Honorific or black boy to black boy ; Fast - how I knew ; In defense of the code-switch or why you talk like that or why you gotta always be cussing -- Lynne Procope (1969) : Shine (for Joe Bataan) ; All night -- Patrick Rosal (1969) : B-boy infinitives ; Kundiman ending on a theme from t la rock ; A note to Thomas Alva ; Ode to the cee-lo players -- Tracie Morris : Untitled -- Jason Carney (1970) : America's pastime -- LaTasha N. Nevada Diggs (1970) : Who you callin' a jynx? (after mista popo) ; Damn right it's betta than yours ; Gamin' gabby -- Mitchell L. H. Douglas (1970) : Manifesto, or ars poetica #2 ; Preface to a twenty volume homicide note -- Adrian Matejka (1971) : Beat boxing ; Robot music -- Jessica Care Moore (1971) : mic check, 1-2 -- John Murillo (1971) : Ode to the crossfader ; 1989 ; Renegades of funk -- Francine J. Harris (1972) : Stitches ; Pull down the earth ; This is a test -- T'ai Freedom Ford (1973) : How to get over (senior to freshman) ; how to get over (for my niggas) ; how to get over (for Kanye) -- Suheir Hammad (1973) : Break (rebirth) ; Break (sister) ; Break (embargo) -- Marty McConnell (1973) : The world tells how the world ends ; Object -- John Rodriguez (1973-2013) : Bronx bombers ; What I saw was not your funeral ; At my best -- Mariahadessa Ekere Tallie (1973) : Paper bag poems ; Global warming blues ; Sunday ; Possible (for Amiri Baraka) -- Tara Betts (1974) : Hip hop analogies ; Switch -- Paolo Javier (1974) : From all convulsions -- Douglas Kearney (1974) : Quantum spit ; No homo ; Drop it like it's hottentot venus -- Avery R. Young (1974) : A prayer fo mama Brenda Matthews (warrior brew) ; After an artis(t) talk -- Lemon Andersen (1975) : The future -- Michael Cirelli (1975) : The message ; Astronomy (8th light) -- Kevin Coval (1975) : The crossover ; Jewtown ; Molemen beat tapes ; White on the block -- Jericho Brown (1976) : Motherland -- Mahogany L Browne (1976) : When 12 play was on repeat ; Upon viewing the death of basquiat ; nameless -- Aracelis Girmay (1977) : Elegy in gold ; Break -- Idris Goodwin (1977) : Say my name ; Old ladies and dope boys ; These are the breaks -- Enzo Silon Surin (1977) : Corners -- Mayda Del Valle (1978) : It's just begun -- Denizen Kane (1978) : Ciphers pt. 1 ; Vigil pt. 1 -- Paul Martinez Pompa : I have a drone -- Kyle Dargan (1980) : Crews ; Slang ; O.P.P. -- Tarfia Faizullah (1980) : 100 bells : Nocturne in need of a bitch ; Blossoms in the dark ; Self-portrait as slinky -- Samantha Thornhill (1980) : Elegy for a trojan ; Ode to a star fig ; Ode to gentrification ; Ode to a killer whale -- Aleshea Harris (1981) : Harbor -- Jacob Saenz (1982) : Evolution of my block ; Evolution of my profile ; GTA : Sandreas (or, 'Grove Street bitch!') -- Nadia Sulayman (1982) : Bint ibrahim -- Sarah Blake (1984) : Ha ha hum ; Adventures -- Adam Falkner (1984) Small poems for big -- Marcus Wicker (1984) : Stakes is high ; When I'm alone in my room sometimes I stare at the wall, and in the back of my mind I hear my conscience call ; Ars poetica in the mode of j-live ; Bonita applebum -- Michael Mlekoday (1985) : Self portrait with gunshot vernacular ; Self portrait from the other side ; Thaumaturgy -- Kristiana Colon (1986) : To the notebook kid -- Ciara Miller (1987) : In search of black birds -- Morgan Parker (1987) : Let me handle my business, damn -- Joshua Bennett (1988) : When asked about my hometown : an admission ; When asked about my hometown : an anecdote ; Love letter to Zack, the black power ranger -- Alysia Nicole Harris (1988) : When I put my hands in the air it's praise -- Britteney Black Rose Kapri (1988) : Winthrop Ave. ; We house : after Krista Franklin's definition of funk -- Angel Nafis (1988) : Legend ; Ghazal for my sister ; Conspiracy : A suite ; Gravity -- Jose Olivarez (1988) : Ode to the first white girl I ever loved ; Home court -- Joy Priest (1988) : No country for black boys -- Ocean Vuong (1988) : Always & forever ; Self-portrait as exit wounds ; Prayer for the newly damned ; Daily bread -- Fatimah Asghar (1989) : When tip drill comes on at the frat party or, when refusing to twerk is a radical form of self-love ; Unemployment ; Pluto shits on the universe -- Franny Choi (1989) : Pussy monster ; Impulse buy -- Nate Marshall (1989) : On caskets ; Prelude ; Picking flowers ; Juke -- Aaron Samuels (1989) : Broken ghazal in the voice of my brother jacob -- Danez Smith (1989) : Cue the gangsta rap when my knees bend ; Twerk (v.) ; Dinosaurs in the hood ; Dear white America -- Jamila Woods (1989) : Defense ; Blk girl art ; Deep in the homeroom of doom ; Daddy dozens -- Benjamin Alfara (1990) : What the eyes saw -- Safia Elhillo (1990) : A suite for ol' dirty -- Aziza Barnes (1992) : Juicy (an erasure) -- Camonghne Felix (1992) : Badu interviews Lamar (an erasure) ; Police -- Steven Willis (1992) : Beat writers -- Reed Bobroff (1993) : Four elements of ghostdance -- Malcolm London (1993) : Grand slam -- Kush Thompson (1994) : This, here -- E'mon McGee (1996) : My niece's hip-hop -- Angel Pantoja (1997) : Murder is my name -- Nile Lansana (1997) and Onam Lansana (1999) : Lesson one -- Ars poeticas & essays -- Quraysh Ali Lansana : Art, artiface, & artifact -- T'ai Freedom Ford : Artist statement -- Michael Mlekoday : Artist statement -- Douglas Kearney : Artist statement -- Angel Nafis : Artist statement -- Aziza Barnes : A locus of control and the erasure -- Tara Betts : Life is good : How hip-hop channels duende -- roger Bonair-Agard : Journeying to the break : The cost of the pilgrimage -- Patrick Rosal : The art of the mistake : Some notes on breaking as making -- Nate Marshall : Blueprint for breakbeat writing -- Reprinted poems -- Acknowledgments -- Biographies. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"This is the first anthology of poems by and for the hip-hop generation . . . It includes more than four decades of poets and covers the birth to the now of hip-hop culture and music and style"--page xv. |
| 596 ## - |
|---|
| -- |
1 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Hip-hop |
| General subdivision |
Influence |
| Form subdivision |
Poetry. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
American poetry |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
American poetry |
| Chronological subdivision |
21st century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
American poetry |
| General subdivision |
African American authors. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lansana, Quraysh Ali. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Marshall, Nate. |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
|---|
| Series part designator, SPT (RLIN) |
u593814 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
|---|
| a |
31572 |