MARC details
000 -LEADER |
fixed length control field |
03858cam a2200397 i 4500 |
001 - CONTROL NUMBER |
control field |
2014009026 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20190729105452.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
140313s2014 enka b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2014009026 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781408184981 |
Qualifying information |
(paperback) |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
MvI |
050 #0 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN2062 |
Item number |
.G55 2014 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
792.02/8 |
Edition number |
23 |
084 ## - OTHER CLASSIFICATION NUMBER |
Classification number |
PER001000 |
Number source |
bisacsh |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Gillett, Aden, |
Dates associated with a name |
1958- |
245 10 - TITLE STATEMENT |
Title |
Acting Stanislavski : |
Remainder of title |
a practical guide to Stanislavski's approach and legacy / |
Statement of responsibility, etc. |
John Gillett ; illustrations by Jannis Labelle and Dany Heck. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London ; |
-- |
New York : |
Name of producer, publisher, distributor, manufacturer |
Bloomsbury, |
Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xxix, 310 pages : |
Other physical details |
illustrations ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance. Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject. Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg. A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher"-- |
Assigning source |
Provided by publisher. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Acting Stanislavski is an inspiring and technically thorough practical book for actors. It sets down a systematic and coherent process for organic, Stanislavski-based acting"-- |
Assigning source |
Provided by publisher. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references ( pages 291-294) and index. |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Machine generated contents note: -- Acknowledgements Foreword, by Sam West. Introduction - acting in context PART ONE STARTING FROM NOTHING Chapter 1 Awareness Chapter 2 Ease and focus PART TWO IMAGINATION AND ACTION - CREATING THE FOUNDATIONS Chapter 3 Acting in circumstances Chapter 4 Acting with others Chapter 5 What do I want? PART THREE DEVELOPING THE IMAGINARY REALITY - IMAGES, SENSING, FEELING Chapter 6 Imagining the action Chapter 7 Sensing Chapter 8 Feeling Chapter 9 Atmosphere PART FOUR EXPLORING TEXT AND CHARACTER Chapter 10 Meeting the play Chapter 11 Meeting the character PART FIVE CREATING THE LIFE OF THE ROLE Chapter 12 Discovering the action - active analysis Chapter 13 Embodiment - physical expression of the character Chapter 14 Refining the role Chapter 15 The character PART SIX BEYOND THE ROLE Chapter 16 Acting ethics Chapter 17 Working together Chapter 18 An open conclusion A map of the organic acting process Glossary Selected bibliography Index. |
596 ## - |
-- |
1 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Method acting. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Stanislavsky, Konstantin, |
Dates associated with a name |
1863-1938. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Acting. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
PERFORMING ARTS / Acting & Auditioning. |
Source of heading or term |
bisacsh |
948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
Series part designator, SPT (RLIN) |
u379249 |
949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
PN2062 .G55 2014 |
w |
LC |
c |
1 |
h |
EY8Z |
i |
33039001338812 |
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
a |
27236 |