MARC details
000 -LEADER |
fixed length control field |
03687cam a2200385 i 4500 |
001 - CONTROL NUMBER |
control field |
2013016628 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20190729105242.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
130517s2014 nyua b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2013016628 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780415821247 |
Qualifying information |
alkaline paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
041582124X |
Qualifying information |
alkaline paper |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
DLC |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
EY8Z |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1995.9.H6 |
Item number |
T73 2014 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.43/6164 |
Edition number |
23 |
245 00 - TITLE STATEMENT |
Title |
Transnational horror across visual media : |
Remainder of title |
fragmented bodies / |
Statement of responsibility, etc. |
edited by Dana Och and Kirsten Strayer. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Routledge, Taylor & Francis Group, |
Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
x, 256 pages : |
Other physical details |
illustrations ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
490 0# - SERIES STATEMENT |
Series statement |
Routledge research in cultural and media studies ; |
Volume/sequential designation |
55 |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders." -- |
Assigning source |
Publisher website. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction -- Spectres of history. Ghastly transmissions: the horror of connectivity and the transnational flow of fear / Brenda S. Gardenour Walter -- Desire for the past: the supernaturalization of Yatsuhaka-mura / Chiho Nakagawa -- High stakes: the vampire and the double in Russian cinema / Greg Dolgopolov -- Trans(gressing) genre and media. Dark monarchs: gothic landscapes in contemporary British culture / Stella Hockenhull -- European horror games: Little Red Riding Hood's zombie BBQ and the European game industry / Kara Andersen and Karra Shimabukuro -- Genre, history, and horror. Art, horror, and international identity in 1970s exploitation films / Kirsten Strayer -- Hollywood's humanity and ethics through the lens of German filmmakers in the 1930s / Martina Witt-Jauch -- "The country bleeds with a laugh": social criticism meets horror genre in JoseÌ Mojica Marins's At midnight I'll take your soul / Diana Anselmo-Sequeira -- Biology and bodies. Doctor de Sade: a Sadean approach to representations of mad science in horror cinema / Lindsay Hallam -- "You had me at I'm dead": porn, horror, and the fragmented body / Eric Shorey and Jen Hyand -- Postcolonial animals. "The sheep are revolting": becoming-animal in the postcolonial zombie comedy / Dana Och -- Horrors of anthropocent : "improved animals" on The islands of Dr. Moreau / Dale Hudson -- Horror and counter history: Profondo Carmesi / Marcia Landy. |
596 ## - |
-- |
1 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Horror films |
General subdivision |
History and criticism. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Och, Dana, |
Dates associated with a name |
1974- |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Strayer, Kirsten, |
Dates associated with a name |
1976- |
948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
Series part designator, SPT (RLIN) |
u367417 |
949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
PN1995.9 .H6 T73 2014 |
w |
LC |
c |
1 |
h |
EY8Z |
i |
33039001332237 |
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
a |
25932 |