MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02688cam a2200325 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
ocm1111653438 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20200821113917.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
190730s2020 mnua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2019033190 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781517906283 |
| Qualifying information |
paperback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1517906288 |
| Qualifying information |
paperback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781452963808 |
| Qualifying information |
electronic book |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1111653438 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OCLCF |
| -- |
OCLCO |
| -- |
BDX |
| -- |
YDX |
| -- |
TOH |
| -- |
YDX |
| -- |
MiTN |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ML3531 |
| Item number |
.P4 2020 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Patrin, Nate, |
| Dates associated with a name |
1977- |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Bring that beat back : |
| Remainder of title |
how sampling built hip-hop / |
| Statement of responsibility, etc. |
Nate Patrin. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Minneapolis, MN : |
| Name of producer, publisher, distributor, manufacturer |
University of Minnesota Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2020] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xii, 347 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Bring That Beat Back: How Sampling Built Hip-Hop is a proposed history of how sampling, as a wholly new form of creating and commenting on music, became a vital part of hip-hop's DNA, from the NY DJs in the late 1970s to today. The story will arc across four DJs who pushed this technology and approach into new territory: Grandmaster Flash, the pioneer; Prince Paul, the innovator; Dr. Dre, the mogul; and Madlib, the left-field curator. Alongside that arc, Patrin will do a deep dive into songs that were heavily sampled and represent/illuminate the power, complexity, and rich history of how sampling has helped build and evolve hip-hop. Throughout, these sections will be far from insular, and instead, reach and pull in the many DJs, producers, and moments that tell this wide-ranging story. Utilizing a wealth of extant interviews and archival material alongside new interviews with people who were there, other critics, and Patrin's own narrative of this history, Bring That Beat Back would be both a geeky dive for music fans and hip-hop heads but also a highly accessible introduction to a form of music that turned power dynamics upside down, made back-row session musicians more iconic to creators than the mega-watt stars at the front of the stage, and how this continual boundary breaking in production and its reshaping of the musical "canon" is very much an extended riff from the history of pop music itself"-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Rap (Music) |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Rap (Music) |
| General subdivision |
Production and direction |
| -- |
History. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Online version: |
| Main entry heading |
Patrin, Nate, 1977- |
| Title |
Bring that beat back |
| Place, publisher, and date of publication |
Minneapolis : University of Minnesota Press, 2020. |
| International Standard Book Number |
9781452963808 |
| Record control number |
(DLC) 2019033191. |