MARC details
| 000 -LEADER |
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| fixed length control field |
04596cam a2200505 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
948826444 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20191202112619.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
160429t20172017msua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2016020375 |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBB727563 |
| Source |
bnb |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1496810023 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1496823265 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781496810021 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781496823267 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781496810038 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781496810045 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781496810052 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781496810069 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)948826444 |
| 037 ## - SOURCE OF ACQUISITION |
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| Stock number |
12976623 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDXCP |
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BTCTA |
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BDX |
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OCLCF |
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EOS |
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YDX |
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RES |
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STF |
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SOI |
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NYP |
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LNC |
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IL4J6 |
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WEN |
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UWO |
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BUF |
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VTU |
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CSA |
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NCC |
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NAM |
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CLE |
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SNN |
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PEX |
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MiTN |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3521 |
| Item number |
.A23 2017 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
781.64309041 |
| Item number |
Abb |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Abbott, Lynn, |
| Dates associated with a name |
1946- |
| 245 14 - TITLE STATEMENT |
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| Title |
The original blues : |
| Remainder of title |
the emergence of the blues in African American vaudeville / |
| Statement of responsibility, etc. |
Lynn Abbott and Doug Seroff. |
| 246 30 - VARYING FORM OF TITLE |
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| Title proper/short title |
Emergence of the blues in African American vaudeville |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Jackson : |
| Name of producer, publisher, distributor, manufacturer |
University Press of Mississippi, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2017] |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2017 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
viii, 420 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
27 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
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| Series statement |
American made music series |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 383-387) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Saloon-theaters and park pavilions : the birth of southern vaudeville, 1899-1909 -- The death of J. Ed Green and the birth of State Street vaudeville -- The life, death, and untold legacy of Bluesman Butler "String Beans" May -- Male blues singers in southern vaudeville -- The rise of the blues queen : female blues pioneers in southern vaudeville -- Theater circuits, theater wars, and the formation of the T.O.B.A. -- "Yours for business" : the commercialization of the blues, 1920-26. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama. Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Blues (Music) |
| Chronological subdivision |
To 1931 |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Vaudeville |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Seroff, Doug, |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
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| Relationship information |
Online version: |
| Main entry heading |
Abbott, Lynn, 1946- |
| Title |
Original blues. |
| Place, publisher, and date of publication |
Jackson : University Press of Mississippi, [2017] |
| International Standard Book Number |
9781496810038 |
| Record control number |
(DLC) 2016021457 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
American made music series. |