MARC details
000 -LEADER |
fixed length control field |
02989cam a2200373 i 4500 |
001 - CONTROL NUMBER |
control field |
2017037709 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20250203143216.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
170809s2018 ncua b s001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2017037709 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781469638607 |
Qualifying information |
hardcover ; |
-- |
alkaline paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781469638614 |
Qualifying information |
electronic book |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
NcU/DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
NcU |
Modifying agency |
DLC |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML3561.L54 |
Item number |
P37 2018 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
782.25089/96073 |
Edition number |
23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Perry, Imani, |
Dates associated with a name |
1972- |
245 10 - TITLE STATEMENT |
Title |
May we forever stand : |
Remainder of title |
a history of the black national anthem / |
Statement of responsibility, etc. |
Imani Perry. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Chapel Hill : |
Name of producer, publisher, distributor, manufacturer |
The University of North Carolina Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2018] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xiv, 280 pages ; |
Other physical details |
illustrations ; |
Dimensions |
25 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
490 1# - SERIES STATEMENT |
Series statement |
The John Hope Franklin series in African American history and culture |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
I'll make me a world: black formalism at the nadir -- The sound and fury of a renaissance: art and activism in the early twentieth century -- School bell song: "Lift every voice and sing" in the lives of children in the segregated South -- The bell tolls for thee: war, Americana, and the anthem -- Shall we overcome? music and the movement -- All power, all poetry, to the people: from "Negro" to "black" national anthem -- A piece of the rock: post-civil rights losses, gains, and remnants. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life up through the present day. In this rich, poignant, and readable work, Imani Perry tells the story of the Black National Anthem as it traveled from South to North, from civil rights to black power, and from countless family reunions to Carnegie Hall and the Oval Office. Drawing on a wide array of sources, Perry uses "Lift Every Voice and Sing" as a window on the powerful ways African Americans have used music and culture to organize, mourn, challenge, and celebrate for more than a century."--Publisher's description |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Johnson, J. Rosamond |
Fuller form of name |
(John Rosamond), |
Dates associated with a name |
1873-1954. |
Title of a work |
Lift every voice and sing. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
African Americans |
General subdivision |
Music |
-- |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Anthems |
Geographic subdivision |
United States |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
African Americans |
General subdivision |
History. |
9 (RLIN) |
1965 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
Uniform title |
John Hope Franklin series in African American history and culture. |