MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03645cam a2200361 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
2016053022 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
DLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20190524125247.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
170103s2017 maua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2016053022 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780674976993 (hardcover : alk. paper) |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
n-us--- |
| -- |
a-ja--- |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
MH/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
MH |
| Modifying agency |
DLC |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1992.8.A59 |
| Item number |
D35 2017 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.45/3 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Daliot-Bul, Michal, |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The anime boom in the United States : |
| Remainder of title |
lessons for global creative industries / |
| Statement of responsibility, etc. |
Michal Daliot-Bul and Nissim Otmazgin. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Cambridge, Massachusetts : |
| Name of producer, publisher, distributor, manufacturer |
The Harvard University Asia Center, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2017. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xv, 212 pages, 8 unnumbered pages of plates : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Harvard East Asian monographs ; |
| Volume/sequential designation |
406 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Drawing on in-depth interviews with Japanese and American animation industry professionals, field research, and market surveys, this book investigates the ways anime has been exported to the U.S. since the 1960s, exploring the transnational networks of anime production and marketing while also investigating the cultural and artistic processes it inspired"-- |
| Assigning source |
Provided by publisher. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 185-193) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction: Theoretical and methodological approaches to the study of anime -- Anime goes to America -- Empirical research and a roadmap for this book -- Chapter 1. Reframing the anime boom in the US: A global industry avant la lettre -- A short history of Japanese-made animation in the United States: export, import, outsourcing, adaptation, reproduction, and hybridization -- Conclusion: The complexity of the globalization of media content -- Chapter 2. Building Silk Roads: a comparative analysis of American and Japanese television animation industries: The structures of the television animation industry in the US and in Japan --Organizational structure and organizational culture in Japan and in the US -- From domestic production to global outreach -- Conclusion: Cashing in on opportunities in the global animation market -- Chapter 3. Entrepreneurs of anime: Entrepreneurs of anime: bridging cultures and markets -- Corporate differences: Japanese-American anime collaborations -- New business models in the post-anime-boom years --Conclusion: Anime entrepreneurship in global markets -- Chapter 4. The legacy of anime in the US: anime-inspired cartoons: The penetration of anime into mainstream American cartoons -- What are anime-inspired cartoons? -- Established forms, new meanings -- Conclusion: The limits of anime as transcultural style -- Chapter 5. Japan's anime policy: supporting the industry or "killing the cool"?: Soft-powering anime: the official soft power push -- The bureaucratization of anime -- Anime policy: an industry perspective -- Conclusion: State involvement in Japan's anime industry -- Conclusion: Anime artistry, creative industries, and global business: The end of the anime boom? -- The collision of old and new media -- Animation may be a global industry, anime is not -- Could the seclusion of the anime industry have positive creative effects?. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Animated television programs |
| Geographic subdivision |
United States |
| General subdivision |
Japanese influences. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Animated television programs |
| Geographic subdivision |
Japan |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Television broadcasting |
| Geographic subdivision |
Japan |
| General subdivision |
Influence. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Otmazgin, Nissim, |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Harvard East Asian monographs ; |
| Volume/sequential designation |
406. |