MARC details
| 000 -LEADER |
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| fixed length control field |
03673cam a22003494a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
2010017310 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190729104754.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
100421s2011 ilua b 001 0 eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2010017310 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780226567723 (cloth : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0226567729 (cloth : alk. paper) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
ICU/DLC |
| Transcribing agency |
DLC |
| Modifying agency |
DLC |
| -- |
MiTN |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e-it--- |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
EY8Z |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N6915 |
| Item number |
.N27 2011 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.45/09031 |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Nagel, Alexander. |
| 245 14 - TITLE STATEMENT |
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| Title |
The controversy of Renaissance art / |
| Statement of responsibility, etc. |
Alexander Nagel. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Chicago ; |
| -- |
London : |
| Name of publisher, distributor, etc. |
The University of Chicago Press, |
| Date of publication, distribution, etc. |
c2011. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xi, 358 p. : |
| Other physical details |
ill. ; |
| Dimensions |
26 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A nontriumphant Renaissance -- The reformation that never happened in Italy -- Pre- and post-Trent -- Range of the study -- Excavations in Christian art -- Effects of estrangement -- "These are your idols, which you have put in my temple" -- Theater and its double -- Art historians and their precursors -- The time of the other -- Attending effigies interior cult and exterior cult whores and idols -- Erasure, defacement, unmasking -- Reform as art restoration -- Defamiliarized icons -- The "puppet painter" gets a hearing -- Erasmus unmasks the saints -- Excavations of the image -- A picture of indeterminate subject and uncertain finish -- Threshold painting -- Figures in a loose and unready state -- Images from the underside -- Drawing brought to the surface -- Reconfigurations -- Christian art that is no longer -- Related experiments -- Re-mediations of the altarpiece -- The painter's new profession -- Raphael extracts the icon -- Vision as re-mediation -- Structures of archaism christocentrism -- Transmutation chamber -- Christ as idol -- Animated statues -- Sculpture and the pictorial imaginary -- The idol in Saint Augustine's study -- Statue + column = idolatry in the round and from behind -- Showdown in the arena of painting -- Ficino's ambivalent defense of image magic -- The crucifix as anti-statue -- The antique statue of Christ -- "Christ, who deserved a statue, received instead a cross" -- A statue of Christ from the Holy Land -- Replication and retroactivation -- An antique Christ at the Minerva -- Rhetorical interferences -- Form as symbol -- Avatars of the golden calf in the works of Andrea Riccio -- Gregorio Cortese commissions art at Santa Giustina, 1513 -- Moses and polytheism -- A Moses-idol -- Repetition compulsion -- Christ as idol -- The work of conversion -- Uncompromising logic -- Fire takes the form of bronze -- Recursions -- Religion on earth -- Soft iconoclasm -- Architecture as image -- Forms of iconophobia in Italy -- A semiotic contest -- Replacement and reversion -- Early interventions at Florence and Siena -- Figuration and fulfillment, and vice versa -- "All the other things are shadows" -- The tabernacle in the matrix -- "So long as it is not about saints" -- Raimondi's I modi in Giberti's Rome -- Pornography as iconoclasm -- Nonprocreative art -- A new model of church art at Verona cathedral -- The virgin becomes architecture -- Borromeo interprets Giberti -- The most abstract altarpiece of the Italian Renaissance -- The Vicenza altar and reform circles in northern Italy -- Adventures in aniconism -- The virtues of stones -- The world is an animal -- Displacement. |
| 596 ## - |
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| -- |
1 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, Renaissance |
| Geographic subdivision |
Italy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art |
| Geographic subdivision |
Italy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Christian art and symbolism |
| Geographic subdivision |
Italy. |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
|---|
| Series part designator, SPT (RLIN) |
u352963 |
| 949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
N6915 .N27 2011 |
| w |
LC |
| c |
1 |
| h |
EY8Z |
| i |
33039001214195 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
|---|
| a |
22959 |