NMC Library

THE THRESHOLD OF LIBERTY/THE VIEW FROM THE EDGE (Record no. 12531)

MARC details
000 -LEADER
fixed length control field 01879cam a2200253 4500
003 - CONTROL NUMBER IDENTIFIER
control field MiTN
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20190729103329.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 000000n 000 0 eng u
040 ## - CATALOGING SOURCE
Transcribing agency MiTN
049 ## - LOCAL HOLDINGS (OCLC)
Holding library NMC MEDIA
099 ## - LOCAL FREE-TEXT CALL NUMBER (OCLC)
Classification number 14-2-30
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name 14-2-30
245 #4 - TITLE STATEMENT
Title THE THRESHOLD OF LIBERTY/THE VIEW FROM THE EDGE
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. 1979; BBC/AMBROSE VIDEO
300 ## - PHYSICAL DESCRIPTION
Extent DVD;Two programs on this disc; Apprx. 52 MIN. each program
440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE
Title SHOCK OF THE NEW:VOL. 5-6
520 ## - SUMMARY, ETC.
Summary, etc. VOL.5 - THE THRESHOLD OF LIBERTY: Surrealism was the last revolutionary art movement of the 20th century, but not so much a "movement" as a religion. Despised by formalists, its effects were enormous. The Surrealists' desire to liberate the unconscious mind helped the "primitive" Rousseau flourish. We visit such little-known monuments to the irrational as the huge Ideal Temple built in rural France over a span of 40 years by a local postman and the Watts Tower and glimpse the fantasy/reality of Ernst, MiroÌ, Dali, Magritte, Joseph Cornell and Jean Dubuffet. Shows how even the New York School-Gorky, Motherwell, Rothko-were affected by Surrealism. Volume 6: THE VIEW FROM THE EDGE: Figurative Expressionism was ruined by the realities of World War II and the horrors of the Nazi death camps, when photography surpassed any distortions of the human body an artist could imagine. Many artists struggled but lost in their attempts to maintain a mythic-religious imagery in the face of increasing secularization of 20th-century life. We examine the insufficiencies this led to when an art world, avid for the importance of myths, tried to extract too much from paintings that could not deliver a complete religious content (e.g., Newman and Rothko).
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650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art History
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Modern Art
948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN)
Series part designator, SPT (RLIN) u185523
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 12531
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Shelving location Date acquired Full call number Barcode Date last seen Copy number Koha item type
    Alphanumeric     DVD Collection 06/19/2018 14-2-30 33039001010619 02/01/2021 1 DVD

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