The cult film reader /
The cult film reader /
edited by Ernest Mathijs and Xavier Mendick.
- Maidenhead, Berkshire, England ; New York : Open University Press/McGraw-Hill Education, 2008.
- xxii, 549 p. ; 24 cm.
"Cult bibliography": p. [495]-521. Includes bibliographical references and indexes.
concept of cult: Film cults / The work of art in the age of mechanical reproduction / Notes on "camp" / Uses of camp / Casablanca : cult movies and intertextual collage / Science fiction double feature : ideology in the cult film / Semiotics by instinct : "cult film" as a signifying practice between film and audience / "Trashing" the acadamy : taste, excess and an emerging politics of cinematic style / Sleaze mania, Euro-trash and high art : the place of European art films in American low culture / Media fandom, neoreligiousity and cult(ural) studies / Cult fictions : cult movies, subcultural capital and the production of cultural distinctions / Cult case studies: chien andalou / The anxiety of influence : Georges Franju and the medical horrorshows of Jess Franco / The obscene seen : spectacle and transgression in postwar burlesque films / Orson Welles and the big experimental film cult / Little cinema of horrors / What is a cult horror film? / Blaxploitation horror films : generic reappropriation or reinscription? / Carter in context / The future of allusion : Hollywood in the seventies (and beyond) / Hitchcock in Texas : intertextuality in the face of blood and gore / The essential evil in/of Eraserhead (or, Lynch to the contrary) / The cult of horror / The Blair witch project : film and the internet / National and international cults: topo : through the wasteland of the counterculture / Playing with genre : an introduction to the Italian giallo / Han's island revisited : Enter the dragon as transnational cult film / Magical girls and atomic bomb sperm : Japanese animation in America / The killer : cult film and transcultural (mis)reading / Trading in horror, cult and matricide : Peter Jackson's phenomenal bad taste and New Zealand fantasies of inter/national cinematic success / Invisible representation : the oral contours of a national popular cinema / Mute bodies, disembodied voices : notes on sound in Turkish popular cinema / Ichi the killer / Cult consumption: Cult of distraction : on Berlin's picture palaces / Introduction to distinction / Portrait of a cult film audience : The Rocky Horror picture show / Subcultural studies and the film audience : rethinking the film viewing context / 'Fans' notes : the horror film fanzine / Get a life! : fans, poachers, nomads / The cultural economy of fandom / The crash controversy : reviewing the press / Beaver Las Vegas! : a fan-boy's defence of Showgirls / Menstrual monsters : the reception of the Ginger snaps cult horror franchise / Harry Allan Potamkin. Walter Benjamin. Susan Sontag. Andrew Ross. Umberto Eco. Barry K. Grant. Anne Jerslev. Jeffrey Sconce. Joan Hawkins. Matt Hills. Mark Jancovich -- Jean Vigo. Joan Hawkins. Eric Schaefer. Parker Tyler. Gary Hentzi. Welch Everman. Harry Benshoff. Steve Chibnall. Noel Carroll. Janet Staiger. Steven Jay Schneider. Lawrence O'Toole. J.P. Telotte -- J. Hoberman and Jonathan Rosenbaum. Gary Needham. Leon Hunt. Annalee Newitz. Jinsoo An. Harmony Wu. Sheila J. Nayar. Nezih Erdoǧan. Tom Mes -- Siegfried Kracauer. Pierre Bourdieu. Bruce A. Austin. Gina Marchetti. David Sanjek. Henry Jenkins. John Fiske. Martin Barker, Jane Arthurs, Ramaswami Harindranath. I.Q. Hunter. Martin Barker, Ernest Mathijs, Xavier Mendik. The Un El
0335219233 (pb.) 9780335219230 (pb.) 0335219241 (hb.) 9780335219247 (hb.)
GBA766053 bnb
013823543 Uk
Cult films--History and criticism.
Motion pictures--History.
PN1995.9.C84 / C85 2008
"Cult bibliography": p. [495]-521. Includes bibliographical references and indexes.
concept of cult: Film cults / The work of art in the age of mechanical reproduction / Notes on "camp" / Uses of camp / Casablanca : cult movies and intertextual collage / Science fiction double feature : ideology in the cult film / Semiotics by instinct : "cult film" as a signifying practice between film and audience / "Trashing" the acadamy : taste, excess and an emerging politics of cinematic style / Sleaze mania, Euro-trash and high art : the place of European art films in American low culture / Media fandom, neoreligiousity and cult(ural) studies / Cult fictions : cult movies, subcultural capital and the production of cultural distinctions / Cult case studies: chien andalou / The anxiety of influence : Georges Franju and the medical horrorshows of Jess Franco / The obscene seen : spectacle and transgression in postwar burlesque films / Orson Welles and the big experimental film cult / Little cinema of horrors / What is a cult horror film? / Blaxploitation horror films : generic reappropriation or reinscription? / Carter in context / The future of allusion : Hollywood in the seventies (and beyond) / Hitchcock in Texas : intertextuality in the face of blood and gore / The essential evil in/of Eraserhead (or, Lynch to the contrary) / The cult of horror / The Blair witch project : film and the internet / National and international cults: topo : through the wasteland of the counterculture / Playing with genre : an introduction to the Italian giallo / Han's island revisited : Enter the dragon as transnational cult film / Magical girls and atomic bomb sperm : Japanese animation in America / The killer : cult film and transcultural (mis)reading / Trading in horror, cult and matricide : Peter Jackson's phenomenal bad taste and New Zealand fantasies of inter/national cinematic success / Invisible representation : the oral contours of a national popular cinema / Mute bodies, disembodied voices : notes on sound in Turkish popular cinema / Ichi the killer / Cult consumption: Cult of distraction : on Berlin's picture palaces / Introduction to distinction / Portrait of a cult film audience : The Rocky Horror picture show / Subcultural studies and the film audience : rethinking the film viewing context / 'Fans' notes : the horror film fanzine / Get a life! : fans, poachers, nomads / The cultural economy of fandom / The crash controversy : reviewing the press / Beaver Las Vegas! : a fan-boy's defence of Showgirls / Menstrual monsters : the reception of the Ginger snaps cult horror franchise / Harry Allan Potamkin. Walter Benjamin. Susan Sontag. Andrew Ross. Umberto Eco. Barry K. Grant. Anne Jerslev. Jeffrey Sconce. Joan Hawkins. Matt Hills. Mark Jancovich -- Jean Vigo. Joan Hawkins. Eric Schaefer. Parker Tyler. Gary Hentzi. Welch Everman. Harry Benshoff. Steve Chibnall. Noel Carroll. Janet Staiger. Steven Jay Schneider. Lawrence O'Toole. J.P. Telotte -- J. Hoberman and Jonathan Rosenbaum. Gary Needham. Leon Hunt. Annalee Newitz. Jinsoo An. Harmony Wu. Sheila J. Nayar. Nezih Erdoǧan. Tom Mes -- Siegfried Kracauer. Pierre Bourdieu. Bruce A. Austin. Gina Marchetti. David Sanjek. Henry Jenkins. John Fiske. Martin Barker, Jane Arthurs, Ramaswami Harindranath. I.Q. Hunter. Martin Barker, Ernest Mathijs, Xavier Mendik. The Un El
0335219233 (pb.) 9780335219230 (pb.) 0335219241 (hb.) 9780335219247 (hb.)
GBA766053 bnb
013823543 Uk
Cult films--History and criticism.
Motion pictures--History.
PN1995.9.C84 / C85 2008