000 | 02075cam a2200349 a 4500 | ||
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001 | 96014058 | ||
003 | DLC | ||
005 | 20190729102846.0 | ||
008 | 960319s1996 caua b s001 0 eng | ||
010 | _a 96014058 | ||
020 | _a0520206088 (alk. paper) | ||
040 |
_aDLC _cDLC _dDLC |
||
043 | _an-us--- | ||
049 | _aEY8Z | ||
050 | 0 | 0 |
_aN6512 _b.W285 1996 |
082 | 0 | 0 |
_a709/.2/273 _220 |
100 | 1 |
_aWagner, Anne Middleton, _d1949- |
|
245 | 1 | 0 |
_aThree artists (three women) : _bmodernism and the art of Hesse, Krasner, and O'Keeffe / _cAnne Middleton Wagner. |
260 |
_aBerkeley : _bUniversity of California Press, _cc1996. |
||
300 |
_axix, 346 p. : _bill. (some col.) ; _c26 cm. |
||
504 | _aIncludes bibliographical references (p. 325-330) and index. | ||
520 | _aPublisher description: This original and sharply obser-vant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women--the main element linking the three--is as much the index of difference among their art and experience as it is a passkey to what they share. About the Author: Anne Middleton Wagner is Professor of the History of Art, University of California, Berkeley. She is the author of Jean-Baptiste Carpeaux: Sculptor of the Second Empire (1990). | ||
650 | 0 |
_aArt, American _y20th century. |
|
600 | 1 | 0 |
_aO'Keeffe, Georgia, _d1887-1986. |
600 | 1 | 0 |
_aKrasner, Lee, _d1908- |
600 | 1 | 0 |
_aHesse, Eva, _d1936-1970. |
650 | 0 |
_aWomen artists _zUnited States _xBiography _xHistory and criticism. |
|
948 | _au171424 | ||
949 |
_hEY8Z _i33039000729359 |
||
596 | _a1 | ||
903 | _a8742 | ||
999 |
_c8742 _d8742 |