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001 | 13334544 | ||
003 | MiTN | ||
005 | 20190729102805.0 | ||
008 | 030905s2004 hiua b s001 0 eng | ||
010 | _a 2003019692 | ||
020 | _a0824826132 (hardcover : alk. paper) | ||
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_aDLC _cDLC _dDLC |
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_aND1014 _b.T39 2004 |
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_a759.9597 _222 |
100 | 1 | _aTaylor, Nora A. | |
245 | 1 | 0 |
_aPainters in Hanoi : _ban ethnography of Vietnamese art / _cNora Annesley Taylor. |
260 |
_aHonolulu : _bUniversity of Hawaii Press, _cc2004. |
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300 |
_a176 p. : _bcol. ill. ; _c26 cm. |
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504 | _aIncludes bibliographical references (p. 165-169) and index. | ||
505 | 0 | _aSketches of Vietnamese Contemporary Painting. Researching Vietnamese Painting. Writing Vietnamese Art History. Vietnamese 20th Century Art History. Community, Identity, Ideology. Art Markets. CHAPTER ONE, 1925-1945 : Orientalists or Occidentalists? "Indochinese" Artists Under Colonialism -- Colonial and Post-Colonial Art Historiography -- Victor Tardieu and the Foundation of the 'Ecole des Beaux-Arts d'Indochine' (EBAI) -- Nguyen Phan Chanh, the "Modern Traditionalist" -- Anticolonial and National Artists. CHAPTER TWO, 1945-1975 : National Heroes and Artistic Heroes: Artists Under the Revolution -- To Ngoc Van and Artists of the "Resistance Class" -- The Arts Association and Painting for the State -- Private Collectors -- Poster Artists. CHAPTER THREE, 1954-1986 : Bui Xuan Phai and the Four 'Modern Masters of Vietnamese Painting' -- The Life of Bui Xuan Phai -- The Myth of the National Artist -- Modernity and its Discontents. CHAPTER FOUR, 1975-1986 : Post-War Artists and Reformers -- Painting in the South Before 1975 and at the End of the War -- Links with the Soviet Union -- Nguyen Quan and the Development of Art Criticism in Hanoi. CHAPTER FIVE, 1925-2000 : Women Artists Women Artists of the Colonial and Revolutionary Periods Women Artists under Doi Moi Women Artists and Feminism. CHAPTER SIX, 1986-2000 : The Hanoi Art Market and the Global Artist -- Post-Doi Moi Artists and the International Scene -- Tourism and the International Clientele -- The ASEAN Art Community. CONCLUSION : Past and Present in the Hanoi Art World -- Hanoi Painters Confront their Identity in the World. | |
650 | 0 |
_aPainting, Vietnamese _y20th century. |
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