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001			9979049240701701
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008			210602t20212021nyuaf b 001 0 eng
010			_a 2021004832
019			_a1269630457 _a1272904447 _a1274175752 _a1284932337 _a1285001343
020			_a1541675088 _q(hardcover)
020			_a9781541675087 _q(hardcover)
020			_z9781541675094 _q(electronic book)
035			_a(OCoLC)1237345704 _z(OCoLC)1269630457 _z(OCoLC)1272904447 _z(OCoLC)1274175752 _z(OCoLC)1284932337 _z(OCoLC)1285001343
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dOCLCO _dYDX _dPHA _dTOH _dVTS _dPTS _dOCLCO _dIAK _dMiTN
042			_apcc
043			_ae-uk-en
050	0	0	_aZ106.5 .G7 _bW45 2021
082	0	0	_a091.0942 _223
100	1		_aWellesley, Mary, _d1986-
245	1	4	_aThe gilded page : _bthe secret lives of medieval manuscripts / _cMary Wellesley.
250			_aFirst edition.
264		1	_aNew York : _bBasic Books, _c2021.
264		4	_c©2021
300			_aix, 340 pages, 16 unnumbered pages of plates : _bcolor illustrations ; _c25 cm
336			_astill image _bsti _2rdacontent
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Prologue: The alchemy of parchment -- Discoveries -- Near disasters -- Patrons -- Artists -- Scribes -- Authors and scribes -- Authors hidden -- Epilogue: The death of the manuscript -- Afterword: The Use and misuse of the past -- Glossary.
520			_a"The Gilded Page is the story of the written word in the pre-Gutenberg age. Ranging from the earliest intact book in Europe, to the only known literary manuscript to be written in Shakespeare's hand, scholar Mary Wellesley reveals the secret lives of these literary and artistic treasures. Traipsing through the remarkable history, she recounts fires (the only surviving Beowulf manuscript is singed at its edges, losing a bit of its matter every decade) and threats ("this is Elisabeth Danes's book / he that steals it shall be hanged by the neck," reads the marginalia in one treasured text). Some manuscripts were designed to reinforce power-like the psalter commissioned by Henry VIII, with a bold illustration of David fighting Goliath, the king's likeness as David's and his archnemesis Pope Paul III's face drawn on Goliath. Some survive and remain celebrated because of an author's political connections-we have so much of Chaucer's writings, and thus study and revere them, because he was a government official first, a poet second. And although work identified with men was more likely to survive through time, some of the most beguiling and beautiful texts were created by women. Many have been lost, like Julian of Norwich's Revelations of Divine Love. Yet others are relatively recent discoveries, like the manuscript of illiterate Margery Kempe, found in a country house closet by a family searching for ping pong balls, the book's cover nibbled on by mice. But all these objects have their secrets, and their creation and survival tell us much about power and art, knowledge and beauty. Today we associate illuminated manuscripts with wealthy elites, but they were made by ordinary people: the grinders and binders, the scribes and rubricators. We remember the patrons and the authors, but these objects have been much altered-text embroidered by upstart scribes, mistakes made in copying poems, whole chapters lost to time-and our literary inheritance is one of collective authorship. Rich, dazzling, and passionately told, Untitled is a tribute to some of the most exquisite objects ever made by human hands"-- _cProvided by publisher.
650		0	_aEnglish literature _yMiddle English, 1100-1500 _xHistory and criticism
650		0	_aEnglish literature _yOld English, ca. 450-1100 _xHistory and criticism
650		0	_aIllumination of books and manuscripts, Medieval _zEngland
650		0	_aManuscripts, Medieval _zEngland _xHistory.
650		0	_aMarginalia _zEngland _xHistory.
650		0	_aTransmission of texts _xSocial aspects _zEngland _xHistory.
999			_c523116 _d523116