000 | 02926cam a22002651 4500 | ||
---|---|---|---|
001 | ztroy0 b55223 | ||
005 | 20230421113847.0 | ||
008 | 730522s1943 nyuafg b 00000 eng | ||
010 | _a43016820 //r883 | ||
035 | _a(MiMtcL)149609 | ||
035 | _a(Sirsi) l43-016820 | ||
035 | _a149609 | ||
035 | _a43016820 //r883 | ||
050 | 0 | 4 |
_aML162 _b.S14 |
100 | 1 |
_aSachs, Curt, _d1881-1959. |
|
245 | 1 | 4 |
_aThe rise of music in the ancient world, East and West / _cCurt Sachs. |
260 |
_aNew York : _bW.W. Norton & Co., _c[1943]. |
||
300 |
_a324 p. : _billus. (incl. music) plates, diagrs. ; _c24 cm. |
||
500 | _a"First edition." | ||
504 | _aBibliographical foot-notes. | ||
505 | 0 | _aMusic in early society -- Comparative musicology and its methods (phonograph-- transcriptions -- the Cents) -- Melodic styles (Poetry chanted -- Melodies -- Vedda style -- Repetition -- Symmetry -- Contribution of woman -- Descending style -- Distances and intervals -- Tetrachords and pentachords -- Babble melodies of European children) -- Rhythm and instrumental music -- Polyphony -- Western Orient: High civilization and music (Egypt -- Sumer -- Babylonia -- Bible -- Temple in Jerusalem) -- Musical systems in general -- Music in ancient western Orient (Overtones -- Jewish music -- Syrian -- Armenian -- Coptic and Ethiopian church music -- Drones -- Harpers' chords) -- East Asia (China -- Japan) -- The Lu's -- Scales (Chinese -- Japanese -- Malayan -- Pelog -- Munggang -- Salendro -- Siamese -- Cambodian -- Burmese) -- Melody and rhythm (No -- Daemonic -- Chinese opera) -- Notation (Bali -- Neumes -- Guido's hand -- Tablature) -- Polyphony (Heterophony -- Orchestral) -- Orchestras (Gamelan -- Cambodia and Siam -- The Pwe)-- India: Vedic chant -- Scales (Srutis -- Gramas -- Murchanas) -- Ragas (Water and fire magics -- Jatis -- Classification -- Gamakas -- Quivering -- Drones) -- Rhythm and form (Talas -- Drumming -- Alapa and raga) -- Greece and Rome: Notation -- Genera (Diatonic -- chromatic -- enharmonic -- Enharmonion) -- Shades (Aristoxenians -- Ptolemaeans) -- Early modes (Harmonia, the Dorian family -- Phrygian and Lydian) -- Perfect system (Aeolian -- Mixolydian -- Lyre tunings -- Solmization) -- Relics -- Ethos (Mode -- Pitch -- Raga-maqam -- Dynamo-thetic tension -- Harmonia -- Raga?) -- Health and education (Homeopathy -- Allopathy -- PEdagogics) -- Counterpoint? (Accompaniment -- Consonance -- Dissonance) -- Accents and rhythm (Melic -- Metric) -- Form (Dithyramb -- Soloistic -- NOmos) -- Rome -- Greek heritage in the music of Islam: Arabian style -- Maqam -- Form (Taqsim -- Pesrev -- Nuba) -- Europe and the road to major andminor (Medieval tonality -- Landini sixth -- Gregorian chant --- Semitone -- Musica ficta). | |
650 | 0 |
_aMusic, Greek and Roman _xHistory and criticism. |
|
650 | 0 |
_aMusic _yTo 500 _xHistory and criticism. |
|
650 | 0 |
_aMusic _zAsia _xHistory and criticism. |
|
999 |
_c522957 _d522957 |