000 | 05055cam a2200421 i 4500 | ||
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001 | ocm1124485876 | ||
003 | OCoLC | ||
005 | 20220728162311.0 | ||
008 | 191002t20192018nyuaf b 001 0 eng c | ||
019 | _a1082187838 | ||
020 | _a9780316226172 | ||
035 |
_a(OCoLC)1124485876 _z(OCoLC)1082187838 |
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040 |
_aUKMGB _beng _erda _cUKMGB _dOCLCO _dVU@ _dBDX _dOCLCF _dEAU _dCNTBC _dYDX _dWIQ _dMiTN |
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050 | 4 |
_aN6494 .A25 _bG33 2019 |
|
099 |
_a709.747 _aG |
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100 | 1 |
_aGabriel, Mary, _d1955- |
|
245 | 1 | 0 |
_aNinth street women : _bLee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler : five painters and the movement that changed modern art / _cMary Gabriel. |
250 | _aFirst Back Bay paperback edition. | ||
264 | 1 |
_aNew York : _bBack Bay Books, _c2019. |
|
264 | 4 | _c©2018. | |
300 |
_axvi, 926 pages, 48 unnumbered pages of plates : _billustrations (black and white, and colour) ; _c24 cm. |
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336 |
_astill image _2rdacontent. |
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336 |
_atext _2rdacontent. |
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337 |
_aunmediated _2rdamedia. |
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338 |
_avolume _2rdacarrier. |
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500 | _aOriginally published: New York: Little, Brown and Company, 2018. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gIntroduction -- _gPrologue : _tThe Ninth Street show, New York, May 1951 -- _gPart I. _t1928-1948 : _tLee : _tLena, Lenore, Lee -- _tThe gathering storm -- _tThe end of the beginning -- _tElaine : _tMarie Catherine Mary Ellen O'Brien Fried's daughter -- _tThe master and Elaine -- _tArt in war : _tThe flight of the artists -- _tIt is war, everywhere, always -- _tChelsea -- _tIntellectual occupation -- _tThe high beam -- _tA light that blinds, I -- _tA light that blinds, II -- _tThe turning point : _tIt's 1919 over again! -- _tAwakenings -- _tSeparate together -- _tPeintres maudits -- _tLyrical desperation -- _tDeath visits the kingdom of the saints -- _tThe new Arcadia -- _gPart II. _t1948-1951 : _tGrace : The call of the wild -- _tThe acts of the Apostles, I -- _tThe acts of the Apostles, II -- _tFame -- _tThe flowering -- _tRiot and risk -- _tHelen : The deep end of wonder -- _tThe thrill of it -- _tThe puppet master -- _tJoan : Painted poems -- _tMexico to Manhattan via Paris and Prague -- _tWaifs and minstrels -- _gPart III. _t1951-1955 : _tOh, to leave a trace : _tComing out -- _tThe perils of discovery -- _tSaid the poet to the painter -- _tNeither by design nor definition -- _tDiscoveries of heart and hand : _tSwimming against a riptide -- _tAt the threshold -- _tFigures and speech -- _tRefuge -- _tA change of art -- _tLife or art -- _tThe red house -- _tFive women : _tThe grand girls, I -- _tThe grand girls, II -- _tThe grand girls, III -- _tPart IV. _t1956-1959 : _tThe rise and the unraveling : Embarkation point -- _tWithout him -- _tThe gold rush -- _tA woman's decision -- _tSputnik, beatnik, and pop -- _tBridal lace and widow's weeds -- _tFive paths ... -- _t... Forward -- _gEpilogue. |
520 | _a"Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future."--Inside dust jacket. | ||
600 | 1 | 0 | _aDe Kooning, Elaine. |
600 | 1 | 0 |
_aFrankenthaler, Helen, _d1928-2011. |
600 | 1 | 0 | _aHartigan, Grace. |
600 | 1 | 0 |
_aKrasner, Lee, _d1908-1984. |
600 | 1 | 0 |
_aMitchell, Joan, _d1925-1992. |
650 | 0 |
_aArt, Modern _y20th century. |
|
650 | 0 | _aNew York school of art. | |
650 | 0 |
_aWomen artists _zNew York (State) _zNew York. |
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999 |
_c518240 _d518240 |