000			03712cam a2200493 i 4500
001			21069014
005			20220124115816.0
008			190711t20192019ilua bc 001 0 eng c
010			_a 2019945826
015			_aGBB9I5241 _2bnb
016	7		_a019411212 _2Uk
020			_a0300247079 _q(paperback)
020			_a9780300247077 _q(paperback)
035			_a(OCoLC)on1122448751
040			_aCOO _beng _cCOO _erda _dOCLCO _dBDX _dYDXIT _dCGU _dCNNGC _dYDX _dFDA _dUKMGB _dOCLCQ _dOCLCA _dCHVBK _dOCLCO _dDLC _dMiTN
042			_apcc
050	0	0	_aNC258 _b.L63 2019
100	1		_aLobis, Victoria Sancho, _d1976-
245	1	0	_aRubens, Rembrandt, and drawing in the Golden Age / _cVictoria Sancho Lobis ; with an essay by Antoinette Owen and contributions by Francesca Casadio and Emily Vokt Ziemba.
250			_aFirst edition.
264		1	_aChicago, IL : _bThe Art Institute of Chicago, _c[2019]
264		2	_aNew Haven ; _aLondon : _bDistributed by Yale University Press
264		4	_c�2019
300			_a354 pages : _billustrations (chiefly color) ; _c27 cm
336			_astill image _bsti _2rdacontent
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aPublished in conjunction with an exhibition of the same title organized and presented at the Art Institute of Chicago, September 28, 2019, to January 2020.
504			_aIncludes bibliographical references (pages 338-349) and index.
505	0	0	_gForeword / _rJames Rondeau -- _gAcknowledgments -- _gNote to the reader -- _gGlossary -- _tFrom experiment to spectacle -- _tUnder the master's watchful eye -- _tThe imperative of Italy -- _tThe live model -- _tFrom the imagination -- _tIn service of her sister arts -- _tThe independent landscape -- _tThe afterlife of drawings -- _gCatalogue of drawings / _rcompiled by Laurel Garber, Meg Hausberg, Victoria Sancho Lobis, and Emily Vokt Ziemba -- _tPaper in the Netherlands / _rAntoinette Owen -- _tWatermarks / _rAntoinette Owen -- _gWorks cited -- _gIndex.
520	8		_aAn extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century. With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist's mind. Exhibition: The Art Institute of Chicago, USA (28.09.2019-05.01.2020).
600	0	0	_aRembrandt Harmenszoon van Rijn, _d1606-1669 _vExhibitions.
600	0	6	_aRembrandt Harmenszoon van Rijn, _d1606-1669 _vExpositions.
600	1	0	_aRubens, Peter Paul, _d1577-1640 _vExhibitions.
600	1	6	_aRubens, Peter Paul, _d1577-1640 _vExpositions.
648		7	_a1600-1699 _2fast
650		0	_aDrawing, Dutch _y17th century _vExhibitions.
650		0	_aDrawing, Flemish _y17th century _vExhibitions.
700	1		_aCasadio, Francesca.
700	1		_aOwen, Antoinette.
700	1		_aZiemba, Emily Vokt.
710	2		_aArt Institute of Chicago,
999			_c506393 _d506393