000 | 03179cam a22003978i 4500 | ||
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001 | 1119779277 | ||
003 | OCoLC | ||
005 | 20211118112512.0 | ||
008 | 191023s2020 mau b 001 0 eng | ||
010 | _a2019043563 | ||
015 |
_aGBC015846 _2bnb |
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016 | 7 |
_a019699761 _2Uk |
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020 |
_a9780674919228 _q(cloth) |
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020 | _a067491922X | ||
035 | _a(OCoLC)1119779277 | ||
040 |
_aMH/DLC _beng _erda _cDLC _dUKMGB _dOCLCF _dYDX _dUtOrBLW _dMiTN |
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042 | _apcc | ||
043 | _an-us--- | ||
050 | 0 | 0 |
_aN8356.P75 _bF54 2020 |
082 | 0 | 0 |
_a704/.0869270973 _223 |
100 | 1 | _aFleetwood, Nicole R., | |
245 | 1 | 0 |
_aMarking time : _bart in the age of mass incarceration / _cNicole R. Fleetwood. |
263 | _a2004. | ||
264 | 1 |
_aCambridge, Massachusetts : _bHarvard University Press, _c2020. |
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300 |
_a1 volume ; 323 pages : _billustrations (colour) ; _c21 cm. |
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336 |
_atext _btxt _2rdacontent. |
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337 |
_aunmediated _bn _2rdamedia. |
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338 |
_avolume _bnc _2rdacarrier. |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aCarceral aesthetics: penal space, time, and matter -- State goods: clandestine practices and prison art collectives -- Captured by the frame: photographic studies of prisoners -- Interior subjects: portraits by incarcerated artists -- Fraught imaginaries: collaborative art in prison -- Art in solitary confinement -- Posing in prison: family photographs, practices of belonging, and carceral landscapes. | |
520 |
_a"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"-- _cProvided by publisher. |
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650 | 0 |
_aPrisoners as artists _zUnited States. |
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650 | 0 |
_aArt in prisons _zUnited States. |
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650 | 0 |
_aArt, American _xPolitical aspects. |
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650 | 0 |
_aImprisonment _xSocial aspects _zUnited States. |
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999 |
_c506221 _d506221 |