000			03789cam a2200433 i 4500
001			1153015244
003			OCoLC
005			20211118112502.0
008			200211t20202020nyu b 001 0 eng
010			_a2020002961
019			_a1112908826 _a1178879062 _a1182544002 _a1193572843
020			_a9781250125514 _qhardcover
020			_a1250125510 _qhardcover
020			_z9781250125521 _qelectronic book
035			_a(OCoLC)1153015244
040			_aDLC _beng _erda _cDLC _dTOH _dOCLCO _dOCLCF _dHBP _dYDX _dVP@ _dPAU _dBDX _dUtOrBLW _dMiTN
042			_apcc
050	0	0	_aN8353 _b.D47 2020
082	0	0	_a700.1/03 _223
100	1		_aDeresiewicz, William, _d1964-
245	1	4	_aThe death of the artist : _bhow creators are struggling to survive in the age of billionaires and big tech / _cWilliam Deresiewicz.
250			_aFirst edition.
264		1	_aNew York, New York : _bHenry Holt and Company, _c2020.
264		4	_�2020.
300			_ax, 355 pages ; _c24 cm.
336			_atext _btxt _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
504			_aIncludes bibliographical references and index.
505	0	0	_aMachine generated contents note: _gpt. I _tTHE BASIC ISSUES -- _g1. _tIntroduction -- _g2. _tArt and Money -- _g3. _tNever-Been-a-Better-Time (the techno-utopian narrative) -- _gpt. II _tTHE BIG PICTURE -- _g4. _tThe New Conditions -- _g5. _tDoing It Yourself -- _g6. _tSpace and Time -- _g7. _tThe Life Cycle -- _gpt. III _tARTS AND ARTISTS -- _g8. _tMusic -- _tSix Musicians -- _g9. _tWriting -- _tSix Writers -- _g10. _tVisual Art -- _tSix Visual Artists -- _g11. _tFilm and Television -- _tSeven Creators of Film and Television -- _gpt. IV _tWHAT IS ART BECOMING? -- _g12. _tArt History -- _g13. _tThe Fourth Paradigm -- _gpt. V _tWHAT IS TO BE DONE? -- _g14. _tArt School -- _g15. _tPiracy, Copyright, and the Hydra of Tech -- _g16. _tDon't Mourn, Organize.
520			_a"Over the last twenty years, art has become more accessible than ever before. A painter can post their latest creation on Instagram and wait as the likes pile up; a budding filmmaker can shoot a clip on their iPhone, then upload it to YouTube for thousands to view. The digital landscape has fundamentally altered what it means to be creative, as well as how consumers interact with artistic production both economically and curatorially. William Deresiewicz, a leading critic of contemporary culture in America, argues that we are in the midst of an epochal transformation within art. Whereas the nineteenth century considered artists to be craftsmen and the twentieth century treated them as professionals, artists today are uniquely dependent upon themselves. The internet, along with decreases in art funding and the growing prevalence of gig economies, has forced artists to become responsible for every aspect of their work, from conception to promotion, from sales to legacy. In The Death of the Artist, Deresiewicz profiles those struggling to make a living through the arts, from the twenty-something college novelist with a multi-hyphenated job title to the midlife painter who must utilize social media to stay relevant. Deresiewicz shows what the birth of the "creative entrepreneur" signifies about our evolving society at large and what might be done to keep artists thriving, because we need them"-- _cProvided by publisher.
650		0	_aArtists _xEconomic conditions _y21st century.
650		0	_aArts _xEconomic aspects.
650		0	_aCreation (Literary, artistic, etc.)
650		0	_aEntrepreneurship.
650		0	_aArt and business.
650		0	_aArt and the Internet.
776	0	8	_iOnline version: _aDeresiewicz, William, 1964- _tThe death of the artist _bFirst edition. _dNew York, New York : Henry Holt and Company, 2020. _z9781250125521 _w(DLC) 2020002962.
999			_c506210 _d506210