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008			190314t20192019njua b 001 0 eng d
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040			_aYDX _beng _erda _cYDX _dBDX _dUKMGB _dOCLCO _dOCLCF _dYDXIT _dTXI _dMYA _dYDXIT _dSKYRV _dUtOrBLW _dMiTN
050		4	_aN72.P6 _bM378 2019
092			_a704.94932304 McQuiston
100	1		_aMcQuiston, Liz,
245	1	0	_aProtest! : _ba history of social and political protest graphics / _cLiz McQuiston.
260			_aPrinceton, New Jersey : _bPrinceton University Press, _c[2019]
260			_c2019.
300			_a285 pages : _bcolor illustrations ; _c30 cm.
504			_aIncludes bibliographical references and index.
505	0		_aEarly developments: the Reformation and social comment (1500-1900) -- Constructing a new society (1900-1930) -- Fascism, the Cold War and the bomb (1930-1960) -- Redirection and change (1960-1980) -- The AIDS crisis and other global tensions (1980-2000) -- Revolutions and the demand for rights (2000-present).
520			_aThroughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
650		0	_aPolitical art.
650		0	_aProtest movements.
650		0	_aPolitical posters _xHistory.
999			_c505945 _d505945