000			02011cam a2200433 i 4500
001			2016029249
003			DLC
005			20190729110732.0
008			160623s2017 nyua b 000 0 eng
010			_a 2016029249
020			_a9781501310614 _q(hardcover _qalkaline paper)
020			_a9781501310621 _q(paperback _qalkaline paper)
042			_apcc
040			_aDLC _beng _erda _cDLC _dDLC _dMvI
050	0	0	_aML3876 _b.S77 2017
082	0	0	_a786.7/16411 _223
100	1		_aStrachan, Robert,
245	1	0	_aSonic technologies : _bpopular music, digital culture and the creative process / _cRobert Strachan.
264		1	_aNew York, NY : _bBloomsbury Academic, _c2017.
264		4	_c©2017
300			_a194 pages : _billustrations ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 167-194) and index.
505	0		_aMachine generated contents note: _g1. _tDigital technologies, democratization and cultural production -- _g2. _tAffordance, digital audio workstations and musical creativity -- _g3. _tDigital technology and technique in the creative process -- _g4. _tCreativity as discourse/creativity as experience in electronic dance music and electronica -- _g5. _tDigital aesthetics: Cyber genres, Auto-Tune and digital perfectionism.
650		0	_aPopular music _xPhilosophy and aesthetics.
650		0	_aPopular music _xProduction and direction.
650		0	_aComputer music _xHistory and criticism.
650		0	_aElectronic music _xHistory and criticism.
650		0	_aDigital audio editors.
650		0	_aCreation (Literary, artistic, etc.)
650		0	_aMusic and technology.
776	0	8	_iOnline version: _aStrachan, Robert, author. _tSonic technologies _dNew York, NY : Bloomsbury Academic, 2017 _z9781501310638 _w(DLC) 2016036146
948			_au621553
949			_aML3876 .S77 2017 _wLC _c1 _hEY8Z _i33039001423515
596			_a1
903			_a34975
999			_c34975 _d34975