000 | 02101cam a2200397 i 4500 | ||
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001 | 014930001 | ||
003 | MiTN | ||
005 | 20231005124431.0 | ||
008 | 160219t20162016nyua b 001 0 eng c | ||
010 | _a2016093246 | ||
020 | _a0500292094 | ||
020 | _a9780500292099 | ||
035 |
_a(OCoLC)940361738 _z(OCoLC)943645124 |
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035 | _a(coutts)cts19907072 | ||
040 |
_aYDXCP _beng _erda _cYDXCP _dBTCTA _dBDX _dOCLCQ _dCOD _dYDX _dCaONFJC |
||
050 | 4 |
_aNC1765 _b.F873 2016 |
|
100 | 1 | _aFurniss, Maureen, | |
245 | 1 | 2 |
_aA new history of animation / _cMaureen Furniss. |
264 | 1 |
_aNew York : _bThames & Hudson, _c2016. |
|
264 | 4 | _c©2016 | |
300 |
_a464 pages : _billustrations (some color) ; _c28 cm |
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336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aSetting the scene for animation -- The magic of early cinema -- Foundations of the animation industry -- The late silent era and the coming of sound -- Animation as a modern art -- Disney's new aesthetic -- Style and the Fleischer Studio -- Comedy and the dominance of American animation -- Animation in Word War II -- International developments in postwar animation -- Stop-motion approaches -- Midcentury shifts in American design -- Early television animation -- Postwar experimentation -- New audiences for animated features -- The emergence of electronic games -- Voices from the Eastern Bloc -- Authorship in animated shorts -- The Disney renaissance -- Television as a creative space -- Computer-generated animation in features -- The culture of Japanese animation -- The panorama of world animation -- Animation in the art world. | |
650 | 0 |
_aAnimation (Cinematography) _xHistory. |
|
650 | 0 |
_aAnimated film industry _xHistory. |
|
650 | 0 |
_aAnimated films _xHistory. |
|
650 | 0 |
_aComputer animation _xHistory. |
|
903 | _a34571 | ||
942 | _2lcc | ||
948 | _au621144 | ||
949 |
_aNC1765 .F873 2016 _wLC _c1 _hEY8Z _i33039001410199 |
||
999 |
_c34571 _d34571 |