000			02170cam a2200337 i 4500
001			2013011138
003			DLC
005			20190729110544.0
008			130318s2013 nyua 001 0beng
010			_a 2013011138
020			_a9781592407491
040			_aDLC _beng _cDLC _erda _dDLC _dMvI
042			_apcc
043			_an-us---
050	0	0	_aML410.E44 _bT38 2013
082	0	0	_a781.65092 _aB _223
100	1		_aTeachout, Terry.
245	1	0	_aDuke : _ba life of Duke Ellington / _cTerry Teachout.
260			_aNew York : _bGotham Books, _c2013.
300			_a483 pages : _billustrations ; _c24 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
505		0	_a"I want to tell America" -- "I just couldn't be shackled" : fortunate son, 1899-1917 -- "Soft and gut-bucket" : becoming a professional, 1917-1926 -- "Only my own music" : with Irving Mills, 1926-1927 -- "The utmost significance" : at the Cotton Club, 1927-1929 -- "I better scratch out something" : becoming a genius, 1929-1930 -- "A higher plateau" : becoming a star, 1931-1933 -- "The way the President travels" : on the road, 1933-1936 -- "Swing is stagnant" : diminuendo in blue, 1936-1939 -- "The eyes in the back of my head" : with Billy Strayhorn, 1938-1939 -- "The sea of expectancy" : the Blanton-Webster band, 1939-1940 -- "A message for the world" : jump for joy, 1941-1942 -- "I don't write jazz" : Carnegie Hall, 1942-1946 -- "More a business than an art" : into the wilderness, 1946-1955 -- "I was born in 1956" : crescendo in blue, 1955-1960 -- "Fate's being kind to me" : apotheosis, 1960-1967 -- "That big yawning void" : alone in a crowd, 1967-1974 -- Appendix. Fifty key recordings by Duke Ellington. An account of the public and private lives of the eminent jazz artist covers his slave heritage, the musical talent that inspired some 1,700 compositions, and his relationships with numerous lovers.
600	1	0	_aEllington, Duke, _d1899-1974.
650		0	_aJazz musicians _zUnited States _vBiography.
948			_au613429
949			_aML410 .E44 T38 2013 _wLC _c1 _hEY8Z _i33039001399137
596			_a1
903			_a33920
999			_c33920 _d33920