000 | 03425cam a2200529 i 4500 | ||
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001 | 940796415 | ||
003 | OCoLC | ||
005 | 20190729110512.0 | ||
008 | 160222t20162011nyu 000 0deng | ||
010 | _a2016008866 | ||
020 |
_a9780385354349 _qhardcover ; _qalkaline paper |
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020 |
_a0385354347 _qhardcover ; _qalkaline paper |
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020 |
_a9780804173728 _qpaperback ; _qalkaline paper |
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020 |
_a0804173729 _qpaperback ; _qalkaline paper |
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035 | _a(OCoLC)940796415 | ||
040 |
_aDLC _beng _erda _cDLC _dYDXCP _dBTCTA _dBDX _dOCLCF _dOCLCQ _dGK8 _dOCLCO _dJSE _dDAD _dPCX _dCZA _dIHX _dYDX _dOCLCO _dBUR _dRB0 _dT7R _dPFLCL |
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041 | 1 |
_aeng _hjpn |
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042 | _apcc | ||
050 | 0 | 0 |
_aML422.O9 _bA5 2016 |
082 | 0 | 0 |
_a784.2092 _223 |
100 | 1 |
_aOzawa, Seiji, _d1935- |
|
240 | 1 | 0 |
_aOzawa Seiji-san to, ongaku ni tsuite hanashi o suru. _lEnglish |
245 | 1 | 0 |
_aAbsolutely on music : _bconversations / _cHaruki Murakami with Seiji Ozawa ; translated from the Japanese by Jay Rubin. |
250 | _aFirst United States edition. | ||
264 | 1 |
_aNew York : _bAlfred A. Knopf, _c2016. |
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264 | 4 | _c©2011. | |
300 |
_axix, 325 pages ; _c21 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aTranslated from the Japanese. | ||
500 | _aOriginally published in Japan as Ozawa Seiji-san to, ongaku ni tsuite hanashi o suru by Shinchosa, Tokyo, in 2011. | ||
505 | 0 | _aMostly on the Beethoven Third Piano Concerto -- On manic record collectors -- Brahms at Carnegie Hall -- The relationship of writing to music -- What happened in the 1960s -- Eugene Ormandy's baton -- On the music of Gustav Mahler -- From Chicago blues to Shin'ichi Mori -- The joys of opera -- In a little Swiss town -- "There's no single way to teach. You make it up as you go along." | |
520 | _aInternationally acclaimed, best-selling author Haruki Murakami sits down with his friend Seiji Ozawa, the former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bartok to Mahler, and from popup orchestras to opera. They listen to and dissect recordings of some of their favorite performances, and Murakami questions Ozawa about his career conducting orchestras around the world. Culminating in Murakami's ten-day visit to the banks of Lake Geneva to observe Ozawa's retreat for young musicians, the book is interspersed with ruminations on record collecting, jazz clubs, orchestra halls, film scores, and much more. A deep reflection on the essential nature of both music and writing, this book is an unprecedented glimpse into the minds of two maestros.--From dust jacket | ||
600 | 1 | 0 |
_aOzawa, Seiji, _d1935- _vInterviews. |
650 | 0 |
_aConductors (Music) _vInterviews. |
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650 | 0 |
_aMusic _xHistory and criticism. |
|
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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655 | 7 |
_aInterviews. _2fast _0(OCoLC)fst01423832 |
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655 | 7 |
_aInterviews. _2lcgft |
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700 | 1 |
_aMurakami, Haruki, _d1949- |
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700 | 1 |
_aRubin, Jay, _d1941- |
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776 | 0 | 8 |
_iOnline version: _aOzawa, Seiji, 1935- _tAbsolutely on music _dNew York : Alfred A. Knopf, 2016 _z9780385354356 _w(DLC) 2016009343 |
596 | _a1 | ||
948 | _au613109 | ||
903 | _a33615 | ||
999 |
_c33615 _d33615 |