000 | 01991cam a2200421Ii 4500 | ||
---|---|---|---|
001 | 931005540 | ||
003 | OCoLC | ||
005 | 20190729110454.0 | ||
008 | 151203t20162016mnu 000 e eng d | ||
010 | _a2016931536 | ||
020 |
_a9781555977597 _q(paperback) |
||
020 |
_a1555977596 _q(paperback) |
||
035 | _a(OCoLC)931005540 | ||
040 |
_aYDXCP _beng _erda _cYDXCP _dBTCTA _dBDX _dOCLCQ _dGK8 _dTOH _dSFR _dOCLCO _dWIM _dCPL _dVP@ _dFM0 _dOCLCF |
||
050 | 4 |
_aPN3355 _b.P393 2016 |
|
082 | 0 | 4 |
_a808.3 _223 |
100 | 1 | _aPercy, Benjamin, | |
240 | 1 | 0 |
_aEssays. _kSelections |
245 | 1 | 0 |
_aThrill me : _bessays on fiction / _cBenjamin Percy. |
264 | 1 |
_aMinneapolis, Minnesota : _bGraywolf Press, _c[2016] |
|
264 | 4 | _c©2016 | |
300 |
_a174 pages ; _c21 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
500 | _a"In fifteen essays that challenge the notion that literary and genre fiction are mutually exclusive turns to Cormac McCarthy, Ursula K. Le Guin, Stephen King, and others to discover how contemporary writers engage plot, character, dialogue, and suspense"--Page [4] of cover. | ||
505 | 0 | 0 |
_tThrill me -- _tUrgency -- _tSet pieces: staging the iconic scene -- _tThere will be blood: writing violence -- _tMaking the extraordinary ordinary -- _tDesigning suspense -- _tDon't look back -- _tModulation: the art of reversal -- _tSounds like writing -- _tMove mountains: activating setting -- _tFeckless pondering -- _tGet a job -- _tConsider the orange: meaningful repetition -- _tHome improvement: revision as renovation -- _tGo the distance. |
650 | 0 |
_aFiction _xAuthorship. |
|
650 | 0 |
_aFiction _xTechnique. |
|
650 | 0 | _aCreative writing. | |
650 | 0 |
_aFiction _xHistory and criticism. |
|
655 | 7 |
_aEssays. _2lcgft |
|
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
655 | 7 |
_aEssays. _2fast _0(OCoLC)fst01919922 |
|
596 | _a1 | ||
948 | _au612915 | ||
903 | _a33443 | ||
999 |
_c33443 _d33443 |