000			04614cam a2200505 i 4500
001			2015563599
003			DLC
005			20250203142114.0
008			150729s2015 nyua b 001 0 eng d
010			_a 2015563599
020			_a0062271784
020			_a9780062271785
020			_a9780062271792
035			_a(OCoLC)ocn881655768
035			_a(OCoLC)881655768 _z(OCoLC)881659904 _z(OCoLC)902670085
040			_aYDXCP _beng _cYDXCP _erda _dOCLCQ _dBTCTA _dBDX _dOCLCQ _dOCO _dCLE _dUOK _dVP@ _dBUR _dCDX _dWTU _dOCLCF _dDLC _dMvI
042			_alccopycat
043			_an-us---
050	0	0	_aML3540.5 _b.M38 2015
082	0	4	_a781.648 _223
100	1		_aMatos, Michaelangelo,
245	1	4	_aThe underground is massive : _bhow electronic dance music conquered America / _cMichaelangelo Matos.
250			_aFirst edition.
264		1	_aNew York, NY : _bDey St., an imprint of William Morrow Publishers, _c[2015]
300			_axvi, 427 pages, 16 unnumbered pages of plates : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 401-404) and index.
504			_aIncludes "Mixography."
520			_aWhat started as an underground party business--run and dominated by youths and hustlers--grew into the music business's greatest and biggest success. This is the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over thirty years--from the black, gay underground clubs of Chicago and Detroit's elite teen-party scene through nineties "electronica" to today's EDM-festival juggernaut, the book takes in the rise of the Internet and Burning Man, 9/11, and the collapse of the record business--and vividly charts why and how it took nearly three decades after electronic dance music became a global youth soundtrack for it to hit big in the land that birthed it. Through unparalleled insider access to anecdotes, interviews, and history, Michaelangelo Matos demystifies how what once belonged to a devoted audience of casual partiers and diehard dancers has become America's soundtrack of choice and changed the music industry completely. Matos expertly tackles the vast diversity of EDM's musical landscape, its technologically prophetic yet illicit origins, and the path by which underground raves grew into fiercely successful music festivals. Taking in legendary artists from Frankie Knuckles to Moby as well as the biggest names in EDM--Diplo, Skrillex, Deadmau5, David Guetta,TieÌsto, and Daft Punk--Matos's deep mix of sources and wide-lens overview of the culture make every chapter a page-turning revelation.--From publisher description.
505	0		_aThe Power Plant (Chicago, Illinois) : early 1983 -- The Music Institute (Detroit, Michigan) : November 24, 1989 -- Stranger than Fiction (Los Angeles, California) : September 7, 1990 -- The Finale of the Gathering + UFOs Are Real (San Francisco, California) : April 11, 1992 -- Grave (Milwaukee, Wisconsin) : October 28, 1992 -- Storm Rave (Staten Island, New York) : December 12, 1992 -- Rave America (Los Angeles, California) : December 31, 1992 -- See the Light Tour (Thirteen North American cities) : October-November 1993 -- Spastik (Detroit, Michigan) : August 8, 1994 -- Even Furthur '96 (Blue River, Wisconsin) : May 24-27, 1996 -- Organic '96 (San Bernardino, California) : June 22, 1996 -- Woodstock '99 (Rome, New York) : July 22 : 251 -- Detroit Electronic Music Festival (Detroit, Michigan) : May 26-29, 2000 -- Phuture Phat Hong Kong Phooey (New Orleans, Louisiana) : August 26, 2000 -- Electroclash Festival 2001 (New York City) : October 10, 2001 -- Coachella (Indio, California) : April 29-30, 2006 -- Electric Daisy Carnival (Las Veqas, Nevada) : June 24-26, 2011 -- Random Access Memories (Los Angeles, California) : January 26, 2014.
650		0	_aElectronic dance music _zUnited States _xHistory and criticism.
650		0	_aElectronica (Music) _zUnited States _xHistory and criticism.
650		0	_aTechno music _zUnited States _xHistory and criticism.
650		7	_aElectronica (Music) _2fast _0(OCoLC)fst01765256
650		7	_aTechno music. _2fast _0(OCoLC)fst01144987
650		7	_aUnderground dance music. _2fast _0(OCoLC)fst01160932
651		7	_aUnited States. _2fast _0(OCoLC)fst01204155 _9267
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
948			_au609425
949			_aML3540.5 .M38 2015 _wLC _c1 _hEY8Z _i33039001394617
596			_a1
903			_a32904
999			_c32904 _d32904