000			04149cam a2200529Ii 4500
001			907196495
003			OCoLC
005			20190729110313.0
008			150330t20152015caua bc 000 0deng d
010			_a2015933435
020			_a9781469626369 _qhardcover
020			_a1469626365 _qhardcover
035			_a(OCoLC)907196495
040			_aBTCTA _beng _cBTCTA _dBDX _dYDXCP _dOCLCO _dGZM _erda _dUNL _dOCLCF _dWVU _dFDA _dIXA _dJPG _dZCU _dDEBSZ _dOBE
043			_an-us---
050		4	_aNK5004.U6 _bJ389 2015
100	1		_aJazzar, Bernard N.,
245	1	0	_aLittle dreams in glass and metal : _benameling in America 1920 to the present / _cBernard N. Jazzar and Harold B. Nelson
264		1	_aLos Angeles, California : _bEnamel Arts Foundation, _c[2015]
264		2	_aChapel Hill, North Carolina : _bUniversity of North Carolina Press, _c[2015]
264		4	_c©2015
300			_a274 pages : _billustrations (chiefly color) ; _c31 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"From the collection of the Enamel Arts Foundation, Los Angeles, California"--Title page
500			_aCatalog accompanying exhibition of Little Dreams in Glass and Metal: Enameling in America 1920 to the Present, organized by the Enamel Arts Foundation, held at Fuller Craft Museum, Brockton, Massachusetts, August 2-November 29, 2015; Craft & Folk Art Museum, Los Angeles, California, January 24-May 8, 2016; Crocker Art Museum, Sacramento, California, June 19-September 11, 2016; and Arkansas Arts Center, Little Rock, Arkansas, October 7, 2016-January 1, 2017
504			_aIncludes bibliographic references (pages 273-274)
505	0		_aLittle dreams in glass and metal : enameling in America, 1920 to the present -- Biographies of the artists and works in the exhibition
520			_a"With one hundred and twenty-two works, ranging in date from 1920 to the present, made by more than ninety artists, Little Dreams reflects the diversity of modern and contemporary enameling in the United States. It also represents the wide variety of forms of formats artists have chosen to explore using this highly versatile medium. More than half the artists included in Little Dreams are women; at least twenty-eight studied or taught in Cleveland; fourteen were born abroad and came to this country in the 1930s to escape Nazi persecution and the impending war in Europe; many studied under the GI Bill after serving in the armed forces during World War II. While sixteen were based in California, others lived in disparate regions of the country from New England to the Pacific Northwest; many were accomplished in other media but chose enameling as their preferred vehicle; eight couples worked collaboratively; and many used enamel as but one tool in their multi-media compositions. The artists' themes are similarly diverse, ranging from traditional still lifes, genre scenes, and religious subjects to abstractions and powerfully evocative explorations of nature, culture, and memory. This impressive array of makers and their equally wide-ranging subjects reflect the dynamic state of enameling in this country in the last half of the twentieth century and the first decades of the twenty-first"-- _cForeword
650		0	_aEnamel and enameling _zUnited States _xHistory _y20th century _vExhibitions
650		0	_aEnamel and enameling _zUnited States _xHistory _y21st century _vExhibitions
650		0	_aArtists _zUnited States _vExhibitions
655		7	_aExhibition catalogs. _2fast _0(OCoLC)fst01424028
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
700	1		_aNelson, Harold B., _d1947-
710	2		_aEnamel Arts Foundation,
710	2		_aFuller Craft Museum,
710	2		_aCraft & Folk Art Museum (2004-),
710	2		_aCrocker Art Museum,
710	2		_aArkansas Arts Center,
856	4	2	_3Table of Contents _uhttp://swbplus.bsz-bw.de/bsz453434649inh.htm
596			_a1
948			_au605130
903			_a32455
999			_c32455 _d32455